Word: klub
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WEDNESDAY Dogs in Carolina Herrera, Kate Spade and Todd Oldham do the catwalk (at New York City's Kit Kat Klub, of course) for AIDS charity DIFFA and pets.com Highlight: pet ensembles with pockets for human cell phones...
Come to the Cabaret, old chum. This time you'll hardly recognize the place. The Kit Kat Klub, where Sally Bowles tried to sing away the gathering Nazi storm clouds in the 1966 musical Cabaret, is a real cabaret now, a converted nightclub where theatergoers can sip drinks (but can't rustle programs, handed out only after the show) while immersing themselves in Berlin decadence circa 1929. Or is it 1999? The club has a seedy-chic, downtown, S&M look: the dancers have runs in their stockings, and even the orchestra members, in sleeveless black tops, look ready...
...Hummel), a young American author in search of a subject, is the show's male protagonist. Paris and Venice fail to inspire him so he makes his way to Berlin, a city rich with parties and nightlife. There, he is naively introduced to the subculture of the Kit Kat Klub by a pleasant-seeming young German smuggler, Ernst Ludwig (David Kirach). Calmly watching the stageshow. Cliff is masterfully seduced by its star-performer Sally Bowles (Belle Linda Halpern). And while the first act only hints at the rising Nazi power, focusing on Cliff and Sally's ensuing love affair...
ALTHOUGH FISH-NET STOCKINGED Kit Kat Klub Girls flirtatiously slink into the audience early on the Cabot House Production of Cabaret never completely ensnares us. The play offers views of both a presumably typical Berlin music-hall in the early 1930s and the particular strains on relationships at the time, but occasional unevenness and sluggishness in performances and direction too often dispel strong promises for both lasciviousness and poignancy. Unfortunately, even several strong performances and specific scenes cannot carry this tale of decadent. Nazi-ascendent Berlin...
...like figure, and he is suitably disconcerting as he belts out a mighty anthem to "The Fatherland." His two bizarre, but rather lightweight, numbers. "Two Ladies" and "If They Could See What I See" are enacted with commendable energy. His "Money, Money", done with one of the Kit Kat Klub Girls, is strong, but lacks the vitality of Joel Grey's exquisite film rendition...