Word: klute
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Dates: during 1970-1979
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...Klute is a sharp, slick thriller about murder, perversion, paranoia, prostitution and a lot of other wonderful things about life in New York City. The eponymous hero (Donald Sutherland) is a small-town Pennsylvania cop come to the big town to trace the disappearance of his best friend, a home-loving executive with a kinky double life. Klute concentrates on his single strong lead, a high-class hooker named Bree (Jane Fonda), who may have spent a night with the missing man two years...
...actress who turns a trick for cash as well as for the frequent pleasure of dominating her male customers. This is all made plain in extended conversations with her psychiatrist-a rather clumsy dramatic device that lends some furtive substance to the proceedings even while slowing them down. But Klute at least is intrigued and eventually succumbs to Bree's well-practiced blandishments. Somewhat to her surprise, and probably against her will, Bree finds herself falling for Klute...
...film strikes a sometimes successful, sometimes tenuous balance between suspenseful diversion and romantic melodrama. Klute's character is never adequately probed, and there is an uncomfortable number of genre cliches, including a hoked-up terror-in-the-last-reel episode that lacks both terror and surprise. Worse, the sentimental fadeout runs completely contrary to the strenuously realistic tone the film has struggled to sustain...
Sutherland has just finished a film for Warner's called Klute in which he co-stars with Jane Fonda, who plays a prostitute. (Currently, he has also joined Fonda and a number of other entertainers in expressing their willingness to entertain Gl's on American bases-as a counter to the Hope-Raye junkets to Asia.) And he's also completed a cameo appearance in he screen adaptation of Trumbo's Johnny. With associations like that it's only natural to ask how Hollywood views his political involvement...
Jane Fonda, champion of the oppressed, last week came to the defense of another minority group. In Manhattan to film Klute, in which she plays a call girl, Jane accompanied an authentic prostitute to pick-up bars to observe the action firsthand. She quickly developed empathy for women who work the streets. "They are the inevitable product of a society that places ultimate importance on money, possessions and competition," said Jane. "These ladies are saying out front, 'We want the goods too; so we'll do what other women do, but we'll get paid...