Word: klute
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Dates: during 1980-1989
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...about New Zealand simply because he'd never been there and wanted a paid vacation. Agent David Begelman lied to Goldman, saying a famous director had had a nervous breakdown, so that Goldman would turn to one of Begelman's clients instead. And director Alan Pakula (Sophiz's Choice, Klute) told Goldman to give him versions of All the President's Men that were both longer and shorter, harder and softer. "Don't deprive me of any riches," Pakula said...
Alan Pakula is a discreet stylist whose best movies (Klute, The Parallax View) find silky danger in the most commonplace phrases and gestures. But there were problems in adapting Styron's tale, to which Pakula deferred in his dogged fidelity to the book. For one thing, the choice Sophie must make takes place years before the main story begins; so the film must switch tracks halfway through for a half-hour flashback to a Nazi death camp. Though the sequence is as strong and beautifully detailed as the rest of Pakula's work, the events it depicts could...
...symbol as Barbarella. By the early '70s she was a scrawny, scraggly Hanoi Jane, the ardent activist who visited the Viet Cong, turned up at Black Panther rallies, and cheered on the Indians who occupied Alcatraz, earning contumely for herself and an Oscar for her performance in Klute...
...less secure director than Alan Pakula might have succumbed to the temptation to rush through the financial pages of his script in order to get on with the elements of murder, mystery and romance. But as he has proved in films like Klute and All the President's Men, Pakula is a true stylist, a man who sees the world through a slow-panning lens darkly. For him, the corridors of power are menacingly dim and hushed, and by forcing the audience to dwell on his paranoid vision of that maze, the director commands a certain sober respect...