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This little shocker is just the beginning of a long, ambitious first novel by a young Mississippian. The publisher has ordered up a 75,000-copy first printing. Director Alan Pakula (Klute, All the President's Men) has bought it for the movies. What Donna Tartt has attempted -- and largely brought off -- is a challenging combination of a mystery (will they get caught or won't they?), an exploration of evil, both banal and bizarre, and a generous slice of the world as seen by the author, a brainy graduate of Bennington who has mastered Greek and English literature...

Author: /time Magazine | Title: Murder Midst The Ferns | 8/31/1992 | See Source »

...book is also the kind of material Alan J. Pakula was put on earth to direct. Klute, The Parallax View and All the President's Men are all marvelously intricate visions in which otherwise quite knowing individuals are slowly forced to the awareness that they are being victimized -- no, terrorized -- by other people's unscrupulous rage to maintain respectable order at any cost. Yet conscientiously as this movie has been made, it does not work as well as the novel did or as some of Pakula's other films have...

Author: /time Magazine | Title: Cinema: Slow Burner PRESUMED INNOCENT | 7/30/1990 | See Source »

...about New Zealand simply because he'd never been there and wanted a paid vacation. Agent David Begelman lied to Goldman, saying a famous director had had a nervous breakdown, so that Goldman would turn to one of Begelman's clients instead. And director Alan Pakula (Sophiz's Choice, Klute) told Goldman to give him versions of All the President's Men that were both longer and shorter, harder and softer. "Don't deprive me of any riches," Pakula said...

Author: By David M. Handelman, | Title: Behind the Glitter | 4/22/1983 | See Source »

Alan Pakula is a discreet stylist whose best movies (Klute, The Parallax View) find silky danger in the most commonplace phrases and gestures. But there were problems in adapting Styron's tale, to which Pakula deferred in his dogged fidelity to the book. For one thing, the choice Sophie must make takes place years before the main story begins; so the film must switch tracks halfway through for a half-hour flashback to a Nazi death camp. Though the sequence is as strong and beautifully detailed as the rest of Pakula's work, the events it depicts could...

Author: /time Magazine | Title: Cinema: Bewitching and Bewildering | 12/13/1982 | See Source »

...symbol as Barbarella. By the early '70s she was a scrawny, scraggly Hanoi Jane, the ardent activist who visited the Viet Cong, turned up at Black Panther rallies, and cheered on the Indians who occupied Alcatraz, earning contumely for herself and an Oscar for her performance in Klute...

Author: /time Magazine | Title: Sexes: On Golden Fonda | 8/30/1982 | See Source »

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