Word: klytemnestra
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...demanded a singer of enormous endurance. Mariette Mazarin, who introduced the part to the U. S. in 1910, fainted while taking her final curtain calls. The late Ernestine Schumann-Heink, powerful Katrinka of opera singers, left the original cast at Dresden because she considered the part of nightmare-haunted Klytemnestra too strenuous...
...including silk hats and standees, gave it the lustiest ovation heard there in several seasons. Principal object of their applause: a dark, hefty Hungarian soprano. Rose Pauly. who heaved and panted through 15 curtain calls after her Metropolitan debut in the title role. Other objects : the sinister, pasty-faced Klytemnestra of Kerstin Thorborg; the brilliant conducting of Artur Bodanzky. Pauly, whose last year's appearance in a concert version of Elektra under Conductor Artur Rodzinski was the sensation of the Philharmonic-Symphony season (TIME, March 29), prowled the stage like a maimed tigress, managed to give Strauss...
...brasses establish perfectly the mood for Elektra's maniacal lust to avenge the death of her father Agamemnon, murdered in his bath. Soprano Gertrude Kappel, ragged and disheveled, long black hair flying, scuttled, slunk and pranced around the stage, effectively shrilling her hatred for her mother Queen Klytemnestra, passionately pleading for the help of her lovely weak sister Chrysothemis (Soprano Goeta Ljungberg), eerily warning the conscience-stricken queen of the day when her son Orestes shall return, come upon her in her bed, hack her with an axe until blood streams red as it streamed in Agamemnon...
Soprano Kappel sang the difficult music beautifully, enacted the crack-brained role as well as any nice person could. But people who heard the performance over the radio were fortunate not to see the plush picture-book queen that Contralto Karin Branzell made out of Klytemnestra, supposedly half-crazed by the sense of her guilt. Soprano Goeta Ljungberg looked foolish posturing in an elaborate white satin dress. Tenor Rudolf Laubenthal seemed more like a saintly Lohengrin than a man who had committed murder to get a throne. Baritone Friedrich Schorr was a dignified but middle-aged Orestes...
Strauss's taut, frenetic music deeply moved the audience last week. People stayed to cheer long after it had ended. Under Conductor Artur Bodanzky the basses whirred an awful suspense while Elektra waited for Klytemnestra's death scream. The horns exclaimed wildly while Elektra danced herself to death. Few critics bothered to carp at the stuffy stage production. They were grateful to the hard-pressed Metropolitan for mounting even so tardily a great opera which is unlikely to prove a great box-office attraction...