Word: knife
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Dates: during 1950-1959
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...last week a 28-year-old Shakta named Odia Patel, clad only in a loincloth, walked into a magistrate's office in Bali, a district of Rajasthan in Northwest-Central India. In his hand he held a severed human nose and a bloodstained knife. Said he: "This is my wife's nose. I cut it off because she was unfaithful to me. And this is the knife I used...
Other Eisenhower awards: a citation to the National Foundation, given to its president, Basil O'Connor, and pens and pocket knives for each of the Salk boys. Ike's advice to Jonathan: don't use that knife until...
...near-perfect, the men do not suffer from comparison. As Jonathan Peachum, Fred Kimball can carry along the Brecht text in those rare moments when it wants in wit. Plagued by throat trouble, Kimball's singing was only the more authentic for the part. Dean Gitter, as Mack the Knife, was amusing and sleazy on cue, and when called upon near the end to carry the whole production through several numbers, rose to the occasion with no strain. He was a fine Macheath. With principals so admirably in hand, Mr. Aaron might look to The Gang, which seemed...
...with the dish that has been laid before him-and it isn't sukiyaki. Enter a messenger: a pretender to the throne has appeared. Is he or is he not the emperor's true son and heir? The baron will find out-or will he? Boinnng! A knife sprouts in a post beside his head. Swish! Thirty assassins, black-robed like torturers in medieval Europe, jump out of the rhododendrons at him. Snick-snack! The baron, an ineffable swordsman, puts them easily to flight. But alas, the rogues make off with the Lady Kikuji (Keiko Kishi), the baron...
...series Suzuki next turned into an angry black scrawl, faded into heavy yellow and black (Soul Fading), then dramatically changed into a thick impasto of blues, orange, black, with lines scratched out by Ray's palette knife. Believing that "the artist, like physicists, must use the abstract to get to the concrete," Ray's next two portraits of Suzuki were abstractions of opposing lines. No. 7 stopped most viewers in their tracks. It was a startling blank canvas, washed in with cloudy browns. But Taoist Lecturer Dr. C. Y. Chang, on hand for the opening, recognized it immediately...