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...Hollywood, Mengers, 36, is a throwback to the more flamboyant, flesh-peddling days of the studio moguls. At 5 ft. 2½ in. and 160 Ibs., usually billowing in a sea of muumuus and caftans, she is sometimes seen as a cross between Mama Cass and Mack the Knife. She has the soft, breathy voice of a little-bitty girl, the vocabulary of a mule skinner and the subtle approach of a Sherman tank. She often compares herself to Eve Harrington, the calculating and ruthless climber in All About Eve. In fact, a character based on Mengers will soon appear...

Author: /time Magazine | Title: Show Business: Sweet and Sour Sue | 3/26/1973 | See Source »

...movie is not consistently successful. Its crudities of characterization and carelessness about certain matters of plot give it a kind of jerry-built look. But The Harder They Come is always exuberant, and sometimes strong, as casually surprising and effortlessly sinister as the blade sliding out of a gravity knife. - Jay Cocks

Author: /time Magazine | Title: Cinema: Ha'penny Opera | 2/19/1973 | See Source »

Increasingly, students in such schools are arming themselves with knives and cheap handguns. "In the kids' eyes, a gun is an equalizer," says one teacher. At Los Angeles' Compton High School a 17-year-old student, armed with a gun and a knife, demanded money from a 16-year-old. The victim drew his own gun and shot the extortionist dead...

Author: /time Magazine | Title: Education: Blackboard Battlegrounds: A Question of Survival | 2/19/1973 | See Source »

...German Chancellor nearly forgot to wear the lapel button of his brand new Grand Cross of the Legion d'honneur, then suffered a brief moment of panic when he discovered his dinner jacket had no buttonhole. The situation was saved by the deft thrust of a pocket knife...

Author: /time Magazine | Title: EUROPE: Hands Across the Rhine | 2/5/1973 | See Source »

...Every time Goya put his palette knife to a painting, he knew what he was doing. There are no waste strokes. In A City on a Rock everything just falls apart." As a result, Fahy concluded that the picture was not by Goya but by Eugenic Lucas, a 19th century imitator. Or in the case of Rembrandt's long-admired Old Woman Cutting Her Nails, says John Walsh, a curator in the European painting department...

Author: /time Magazine | Title: Art: Who Painted What? | 1/29/1973 | See Source »

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