Word: knife
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...Knife. Clifford Odets gums away at some sour grapes and spits the seeds at Hollywood; with Jack Palance, Ida Lupino, Shelley Winters (TIME...
Russell is, for a change, neither proving nor disproving anything, except, perhaps, that the Queen of Sheba had nightmares equal to those of any modern chief of state. In this collection of thirteen essays an fables, Russell merely twists his practised knife in ancient and modern bodies of superstition, myth, and foible...
...Francisco, members of the California Academy of General Practice condemned the accident hazards built into the modern automobile. When a car hits a pedestrian, said the doctors, it is frequently the unnecessary adornments near the front of the car that maim and kill: "masticating grills, avulsive door handles, knife-edge eyebrows over headlights and spearlike hood ornaments." The doctors also called for the abolition of bumpers (including the bosom-like projections known as "Dagmars") and for recessed and padded dashboards, collapsible steering columns, safety belts, safety doors and a legal limit on horsepower...
...Knife (Robert Aldrich; United Artists) is one of the wickedest instruments ever plunged into Hollywood's always bleeding heart. Furthermore, it is twisted a few times, slowly, just to emphasize the point. The assassin in the case is Clifford Odets, the brilliant playwright (Waiting for Lefty) who lived right and thought left in Hollywood during the '40s. The deed he does here was originally perpetrated as a Broadway play in 1949. As a movie, it is arousing consternation, indignation and malicious delight among some of Hollywood's best people...
...Knife, from first frame to last, arches with tension like a drawn bow. The Odets script, adapted for the screen by James Poe, has been beautifully grained and shaped by two fine craftsmen, and it takes every ounce of strain that Producer-Director Robert Aldrich leans against it. Aldrich gets striking performances from his actors. Jack Palance, a gifted portrayer of brute instinct, is miscast as a man whose problem is the loss of his instincts, but his intensity and sincerity propel the action vigorously even where they confuse its motives. Ida Lupino, as always, is a capable trouper; Shelley...