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Word: knifings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Knife. Clifford Odets guns away at some sour grapes, and spits the seeds at Hollywood; with Jack Palance, Ida Lupino (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 7, 1955 | 11/7/1955 | See Source »

...Knife. Clifford Odets gums away at some sour grapes and spits the seeds at Hollywood; with Jack Palance, Ida Lupino, Shelley Winters (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Oct. 31, 1955 | 10/31/1955 | See Source »

Russell is, for a change, neither proving nor disproving anything, except, perhaps, that the Queen of Sheba had nightmares equal to those of any modern chief of state. In this collection of thirteen essays an fables, Russell merely twists his practised knife in ancient and modern bodies of superstition, myth, and foible...

Author: By W. W. Bartley iii, | Title: Parliament of Fears | 10/25/1955 | See Source »

...Knife (Robert Aldrich; United Artists) is one of the wickedest instruments ever plunged into Hollywood's always bleeding heart. Furthermore, it is twisted a few times, slowly, just to emphasize the point. The assassin in the case is Clifford Odets, the brilliant playwright (Waiting for Lefty) who lived right and thought left in Hollywood during the '40s. The deed he does here was originally perpetrated as a Broadway play in 1949. As a movie, it is arousing consternation, indignation and malicious delight among some of Hollywood's best people...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 24, 1955 | 10/24/1955 | See Source »

...Knife, from first frame to last, arches with tension like a drawn bow. The Odets script, adapted for the screen by James Poe, has been beautifully grained and shaped by two fine craftsmen, and it takes every ounce of strain that Producer-Director Robert Aldrich leans against it. Aldrich gets striking performances from his actors. Jack Palance, a gifted portrayer of brute instinct, is miscast as a man whose problem is the loss of his instincts, but his intensity and sincerity propel the action vigorously even where they confuse its motives. Ida Lupino, as always, is a capable trouper; Shelley...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 24, 1955 | 10/24/1955 | See Source »

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