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Word: knifings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...prosecution's case was clear enough. The mess sergeant testified that Pfc. God, knife in hand, had removed the eyes in thick wedges, sliced off random peels in flat slabs (instead of removing them nice and thin). Then the mess sergeant, armed with a potato and peeler, earnestly re-enacted the whole business, slashing ruthlessly away until the potato looked like a candidate for a shoestring...

Author: /time Magazine | Title: National Affairs: The Word from God | 6/29/1959 | See Source »

...case for the defense was stronger, and just as reminiscent of TV's Sergeant Bilko and his Fort Baxter friends. A mess sergeant from another company earnestly testified that Pfc. God's peelings were quite normal, considering that the accused had had only a knife to work with instead of a hand potato-peeler. Moreover, defense counsel (an officer picked for the job) was able to prove that Pfc. God's peelings (saved as evidence by the company commander) weighed less than those carved by his own mess sergeant...

Author: /time Magazine | Title: National Affairs: The Word from God | 6/29/1959 | See Source »

With the eyes of Texas upon her, Callas suffered spasms of precurtain nerves. "If you cut me with a knife," said she, "no blood would run out." But she turned up onstage convincingly gaunt, wild-eyed, almost green with malevolence and makeup. She paced the stage and clawed the air like a caged lioness. Callas took twelve curtain calls, earned, mighty critical bravos ("terrifying," "elemental," "chilling") for a superb dramatic display. As for her voice, critics as usual found it uneven; the Daily Telegraph judged it "disappointingly small and lacking in resonance." But without the Callas dramatic presence, critics agreed...

Author: /time Magazine | Title: Music: Callas at Covent Garden | 6/29/1959 | See Source »

...trial's most dramatic moments came when the complaining witness herself took the stand. She had not cried out or resisted, she testified, because "there wasn't anything I could do with four men with a gun and a knife but do what they said to do ... I started crying and they said to shut...

Author: /time Magazine | Title: FLORIDA: Passing the Test | 6/22/1959 | See Source »

Examples of action-expressionism line his basement studio-bedroom-large black canvases slashed with color laid on with a paint roller, brush and palette knife. Requiem for Bird, named for the late Jazz Saxophonist Charlie ("Bird") Parker, looks like a grey goose hit hard in flight by a charge from a chokebore shotgun. "When I run out of materials, I borrow and steal shamelessly," says Morris. "After I painted some canvases on the Jack Paar Show, I sold one to a dealer in Chicago. Then I was on CBS and NBC newsreels. I got other customers. They came, but they...

Author: /time Magazine | Title: Art: Beatnik Crisis | 6/22/1959 | See Source »

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