Word: knighting
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...people think theater is, King Kong is a show that is as challenging as it is engaging. Loosely based on Richard Wagner's 1848 opera Lohengrin, which in turn was based on a German version of an Arthurian legend, Paulus's multimedia production tells the story of the virtuous knight Lohengrin and his efforts to save and marry Elsa, a princess unjustly accused of murder...
...that a wrestling match brilliantly coordinated by lighting designer Ryan McGee and set designer Sarah Knight '00 to resemble a pep rally from Hell, a shlocky interactive wedding (with, admitedly, an infinitely-better-than-average wedding band performance by Harvard's own B-Side), and the show's pinnacle--a hilarious gender-bending, mimed depiction of Elsa and Lohengrin's wedding night (performed with just the right mix of sincerity and tounge-in-cheek self-awareness and downright bravery by Jordin Ruderman and Joseph Subotnik '00) and you'll begin to understand the aesthetics of King Kong...
...people think theater is, King Kong is a show that is as challenging as it is engaging. Loosely based on Richard Wagner's 1848 opera Lohengrin, which in turn was based on a German version of an Arthurian legend, Paulus's multimedia production tells the story of the virtuous knight Lohengrin and his efforts to save and marry Elsa, a princess unjustly accused of murder...
...that a wrestling match brilliantly coordinated by lighting designer Ryan McGee and set designer Sarah Knight '00 to resemble a pep rally from Hell, a shlocky interactive wedding (with, admitedly, an infinitely-better-than-average wedding band performance by Harvard's own B-Side), and the show's pinnacle--a hilarious gender-bending, mimed depiction of Elsa and Lohengrin's wedding night (performed with just the right mix of sincerity and tounge-in-cheek self-awareness and down-right bravery by Jordin Ruderman and Joseph Subotnik '00) and you'll begin to understand the aesthetics of King Kong...
...help but resenting Tracy's naive ambition. So, as Tracy so eloquently puts it, it's natural for the "weak to sabotage the strong." Mr. McAllister's first move in the election chess game is to hire a pawn to run against Tracy--in this case, the white knight of Carver, popular jock Paul Metzel (Chris Klein). Tracy, of course, throws a fit, but even she can't keep up with the unfolding soap-operas--especially when Paul's lesbian younger sister jumps into the election fray as revenge for Paul's "stealing" her crush...