Word: knightly
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...these satellite attractions, kitsch battles ferociously with schlock, and the two styles often end up married. Kitsch: Medieval Times, a dinner theater that combines the art of knightly jousting with the bloodlust of pro wrestling. As the Red Knight attacks Blue with his mace and Blue responds with his sword, a spectator cries out, "Your mutha wears chain mail!" Schlock: Gatorland Zoo with its Gator Jumparoo show, in which thousand-pound alligators lurch out of the water to snap their jaws around dead chickens suspended from a wire. For connoisseurs of arcane Americana, the Orlando area also offers an Alligatorland...
...Kane. The memorable screen moments of recent years are more, well, eye-catching. A fleet of rebel spaceships enters the Death Star for a climactic battle against the Empire's forces in Return of the Jedi. The shards of a stained-glass window are transformed into a sword-wielding knight in Young Sherlock Holmes. Runaway mine cars career at a breakneck pace through hairbreadth twists and turns in Indiana Jones and the Temple of Doom...
...readers of the form tend to confuse Ross with John D. MacDonald and Gregory Mcdonald. The first was born Kenneth Millar in 1915 and died three years ago of Alzheimer's disease. The second is 69 and lives in Florida, as does his popular P.I. Travis McGee, the "tinhorn knight on a stumbling Rosinante from Rent-A-Steed." The third is a former Boston Globe critic and the inventor of the flippant Fletch, whose snooping is sanctioned by a press card rather than a badge...
From the start, the genre has taken shape and tone from the demands of its audience. The American male likes to believe that he is reading it like it is, and the novel of the modern knight-errant is very much a male genre. It operates on the rigid belief that the world is rotten; to think otherwise is dangerous and unmanly. A corollary view is that the deck is stacked against the decent little guy or distressed damsel. The evidence often seems overwhelming. The shattering aftereffects of World War I, the rise of organized crime during Prohibition, the disillusionment...
...artist one sees the moralized universe of the Middle Ages retreating before the scientific one of the Renaissance, not giving ground gracefully but fighting every inch of the way. What the Nuremberg show offers is virtually a self-contained retrospective of his prints--famous ones like Melencolia I or Knight, Death and Devil, less | commonly seen images such as his suites of woodcuts illustrating the life of the Virgin--fleshed out with a selection of paintings and drawings. Anywhere else, this would be a show on its own. One would expect such material to dominate any exhibition it appeared...