Word: knightly
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Army eked out its first win of the season last week at home against Dartmouth. Down 12-3 at the half, the Black Knight defense swarmed over the Big Green in the last 30 minutes, holding Dartmouth to 22 yards offense, if its seven quarterback sacks aren't counted. A touchdown and field goal gave Army the 13-12 decision...
ESSENTIALLY, Reynolds came across last Wednesday night as television's shining knight, remembered in the most glowing terms by those who knew him best. "He was not someone you could push around," said NBC's Tom Brokaw. ABC's media critic Jeff Greenfield said Reynolds never favored," "style over substance," as so many in the television industry do. CBS's Harry Reasoner was among the few who tried to put things in perspective, cautioning, "I don't think Frank would like to be pictured as the last of a vanishing breed." But, he quickly added, "What...
...potency of stereotypes in the theater or the power of good-vs.-evil allegories, however simpleminded. Here the premise is that Mr. Mister (David Schramm), the boss of Steeltown, U.S.A., is a cigar-chomping tyrant, and his gutsy prole of a foe, Larry Foreman (Randle Mell), is a knight in blue-collar armor. We meet Mister's toadies: mousy Reverend Salvation, sycophantic College President Prexy and craven Editor Daily. As a whore with a heart of tarnished nickel, Lisa Banes is achingly vulnerable, and Michele-Denise Woods keens a militant lament for her injured brother in Joe Worker Gets...
McMullan has been with the Knight (now Knight-Ridder) newspaper chain ever since 1957. When he was assigned to liven up its Washington bureau, his eagerness produced an uneasy rebuke from the bureau chief: "John, you were sent here to fill a vacuum, not overflow it." In 1970 McMullan left to execute a wholesale purge of the chain's newly acquired Philadelphia Inquirer. In three years, McMullan replaced a third of the paper's reporting staff, including virtually every department head. The overhaul was to turn the Inquirer into one of the strongest newspapers...
...sounded like a match made in show business heaven. John Travolta: instant superstar when he strode down a Brooklyn sidewalk, the white-suited knight in a grungy Camelot, as Tony Manero in Saturday Night Fever; consolidation of stardom in Grease and Urban Cowboy; a sensitive actor with a stud's lean physique. Sylvester Stallone: instant superstar when he laced up his gloves and socked it to the champ for the full 15 in Rocky; consolidation of stardom in Rockys II and III, which he directed as well as wrote, mixing sentimental bravura with slam-bang action sequences...