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...skilled technician in a profitable machine shop. Like millions of other Vietnamese, the Lus are ethnic Chinese, and were residents of a part of Saigon known as Cholon, where many Vietnamese of Chinese descent had settled. Like Chinese diaspora the world over, the one in Saigon was tight knit, industrious and relatively prosperous. Even as the war in Vietnam intensified in the late '60s, Lu says, he was able to make a decent living. "We just tried to live, make the best of it," he says. "What else could...

Author: /time Magazine | Title: A Journey From War To War | 5/2/2005 | See Source »

Levitt has published most of this material before in academic journals. But Freakonomics is accessible to people who don't understand regression analysis, the procedure statisticians use to sort through data. And its authors knit in research by other scholars. Each chapter is an enlightening field trip, like the investigations into human nature in Malcolm Gladwell's books, The Tipping Point and Blink. But in Freakonomics, attempts to link the chapters together fall flat. There is no unifying theory here, which is a shame...

Author: /time Magazine | Title: Books: Unconventional Wisdom | 4/24/2005 | See Source »

From 5 a.m. to 9 p.m. Moura speeds from job to job, working alongside his father to make ends meet for their close-knit East Cambridge household...

Author: By Candice N. Plotkin, CONTRIBUTING WRITER | Title: Janitor Fights For Extra Hour | 4/20/2005 | See Source »

...might rationalize your posting this information for the world to see by saying something about how only the close-knit Harvard community can access your profiles. And you’re right: your secrets are safe with me. They’re also probably safe with all 6,500 undergraduates at the College. And the faculty, and the staff, and the students at Harvard’s other schools and divisions, and every single person that has ever graduated from any part of the University—a group which includes such illustrious names as Ted Kaczynsky, though I suppose...

Author: By Matthew A. Gline, | Title: For Everyone's Eyes Only | 4/19/2005 | See Source »

...opera's rhythmic structure, with each character assigned his or her own basic tempo. Act II, for example, closes with a stirring, cacophonous ensemble of clashing rhythms and timbres as all the major characters sing simultaneously and Prospero exults, "My high charms work!/ and these, mine enemies, are all knit up/ in their distractions. They are in my power." What Eaton has done is not merely to set Porter's concise, three-act libretto, but to retell it in musical terms, creating a cognate of Shakespeare's play. It is a formidable intellectual as well as musical accomplishment...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

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