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...between two eras, risking a split personality as he is buffered back and forth between the old and the new, not knowing where to turn. We have in mind a man we saw at Sunday dinner. Dressed in a new tweed jacket, of whalebone pattern, and wearing the black knit tie, he pulled from his pocket a large and faded red bandana, and just a little self-consciously wiped his nose. -The Daily Dartmouth...

Author: NO WRITER ATTRIBUTED | Title: PRESS | 10/7/1939 | See Source »

When real war finally came last week, it found, stretched across the northern fringe of Europe from Antwerp to Helsingfors, a tight-knit little band of neutrals, determined to keep their neutrality and to defend it, if need be, with force. Between Germany and France lay The Netherlands, Belgium, tiny Luxembourg, and, south of the Westwall and Maginot Lines, Switzerland. All of them were ruled by Napoleon, liberated by Wellington. Along the North and Baltic Seas, where the British and German Navies may meet, were Denmark, Norway, Sweden and Finland. Together these eight countries might turn the balance of power...

Author: /time Magazine | Title: Foreign News: Determined Band | 9/11/1939 | See Source »

...tell God Save the Weasel from Pop Goes the Queen"). She weaned Author Marsh on Hamlet's soliloquy, and he started her reading such moderns as Zola. She taught him to sew, too, and later, Sir Warrington Smyth, a schoolfellow, and "a powerful influence for good, fired me to knit mittens...

Author: /time Magazine | Title: Books: Puckish Proust | 9/11/1939 | See Source »

OVERTURE TO DEATH-Ngaio Marsh-Furman ($2). Bizarre murder of a malevolent spinster, in full view of an English church-social audience, neatly solved, by Scotland Yard's Inspector Alleyn. A well-knit baffler, with colorful characterizations...

Author: /time Magazine | Title: Business: June Mysteries | 7/3/1939 | See Source »

...culture was not much enriched by the Lyric Theatre last week, the reputation of Composer Copland was. His music for the "character-ballet" Billy the Kid, much of it based on cowboy songs, was close-knit, percussive, incisive, wasting not a grace note in its evocation of the dapper, New York-born killer who flourished in the Southwest in the '703 and '80s. The choreography of Eugene Loring and the dancing of the Ballet Caravan were no less exciting...

Author: /time Magazine | Title: Music: For the People | 6/5/1939 | See Source »

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