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KILLER JOE: SCENE OF THE CRIME (Hard Ticket). The knockdown, knockout party record of the season, if your idea of a blowout is straight-from-the-hear t rock with the rollicking flavor of the Jersey shore. Killer Joe Delia is a piano pounder with a raucous voice, and he's buttressed here by the eloquent drumming of his crony Max Weinberg, late of the E Street Band, and guest performers like Little Steven and Jon Bon Jovi. Glory days indeed...

Author: /time Magazine | Title: Critics' Voices: Nov. 11, 1991 | 11/11/1991 | See Source »

...They [the Thomas hearings] reminded us of the difference between the academic world of policy formulation and the bruising knockdown world of real politics," Kunin said...

Author: By Gia Kim, | Title: Women Must Shape Policy, Wilson Says | 10/19/1991 | See Source »

...count, so that his opponent could later complain, as Tyson did, "I knocked him out before he knocked me out." Rocky never had his championship belt stripped from him, as Douglas had, hours after the fight, when boxing authorities declared the title vacant pending a review of the Douglas knockdown...

Author: /time Magazine | Title: Sport: Just Like in the Movies | 2/26/1990 | See Source »

After the bruising battles that led to the rejection of Robert Bork and the unexpected withdrawal of Douglas Ginsburg, few liberals or conservatives were in any mood for another knockdown brawl. And, at least at first glance, one seems unlikely. No one could find anything in either Kennedy's Norman Rockwell personal background or his twelve-year record on the Ninth Circuit Court of Appeals in Sacramento that would prevent him from being confirmed as the nation's 104th Supreme Court Justice, and potentially a long-serving one. At 51, Kennedy is young enough to be shaping court decisions well...

Author: /time Magazine | Title: Far More Judicious | 11/23/1987 | See Source »

...digressive, but as staged by Marshall W. Mason and a splendid young cast, it wins laughter in even its unnerving moments. If the narrative is indebted to the mainstream past, the tone has a more avant-garde echo of Sam Shepard -- a border skirmish between knockabout farce and knockdown violence. Yet Playwright Lanford Wilson manages to integrate well-crafted gags, mostly for the surviving gay roommate (Lou Liberatore). He describes his friend's gaudy casket as looking "like a giant Spode soup tureen." He says to the choreographer (Joan Allen) about her boyfriend (Jonathan Hogan), "I don't know...

Author: /time Magazine | Title: Theater: Skirmishing Along the Borders BURN THIS | 10/26/1987 | See Source »

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