Word: knoedlers
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...Manhattan's conservative Knoedler Gallery gave its second floor over to animal Society. The Society portraitist was pretty, petite, 28-year-old June Harrah, who sculps likenesses of champion dogs and race horses for the doggy and horsy set. Sculptress Harrah's deft statuettes (of such equestrian nobility as Seabiscuit, Challedon and Jadaan, the grey stallion ridden by the late Rudolph Valentino in The Son of the Sheik) excited horse-& dog-lovers, also brought high marks from many a high-brow art critic. Daughter of a gentleman rancher who founded the town of Harrah, Wash., June Harrah also...
Last week, neatly dusted off, 20 of Sculptor Browere's busts were exhibited in Manhattan's plushy Knoedler Galleries. Their realism predates the candid camera by a century. Browere's exact method died with his son Alburtus, differed markedly from the usual life mask's heavy layer of plaster or clay applied while the subject is flat on his back. Like a modern lace-pack beauty treatment, it consisted of a series of light, quick-drying layers that could be put on while the subject sat at his ease. Thus beplastered for posterity were Thomas Jefferson...
...etchings. Sent over by the Belgian Government to buy the entire Van Dyck set was Dealer Richard H. Zinser. He made a group bid of $28,000 'for them, saw them knocked down individually for a total of $40,500. The Van Dyck self-portrait he lost to Knoedler's at $6,600. For Rembrandt's The Three Trees Dealer Zinser paid $6,700, top price of the sale...
...lived in a messy Manhattan studio. Working on several pictures at a time, he gave them lustre, depth and mystery through alternate layers of paint and glaze. After laboring 18 years on Macbeth and the Witches, one of the romantically sombre canvases in his present Manhattan show at Knoedler's, he remarked: "I think the sky is getting interesting." Critics agree that Ryder's skies are the most interesting in U. S. painting...
...Pittsburgh short, suave, russet-haired Gerald L. (for Leslie) Brockhurst served on the jury for the 1939 Carnegie Inter national Exhibition. And in Manhattan two exhibitions of his work were opened which showed him equally proficient with brush, crayon, etcher's needle. At the Knoedler Galleries was a loan exhibition of his portraits and drawings. The Arthur Harlow Galleries showed the first complete exhibition of his etchings. With his projected English commissions canceled or postponed "for the duration," Artist Brockhurst, whose deafness kept him out of World War I, planned to paint portraits...