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Word: knotting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Bruins took an early 1-0 lead, but Jim Kilkowski bounded in an unassisted goal at 8:07 to knot the score. Eighteen seconds later, Brown's Bob Anthony registered his tenth goal of the season, and his team maintained the 2-1 advantage throughout the remainder of the period...

Author: By Bennett H. Beach, | Title: Powerful Brown Stickmen Frustrate Crimson, 10-6 | 4/24/1969 | See Source »

...produce Blood Knot in South Africa was daring. In the shanty on stage, two brothers, Zachariah and Morris, are in hiding from the hatred that apartheid demands they show each other. Morris has tried unsuccessfully to pass for a white; he now idles time with a forty-five pound six-quid dream of a farm. Zachariah works as a gate-keeper to chase the black kids away from the public park; he brings home only nostalgia over good times and women...

Author: By Ruth N. Glushein, | Title: The Blood Knot | 3/28/1969 | See Source »

Tension between the two men keeps Blood Knot from being a mawkish paean to poverty. John Dullaghan, who played Morris off-Broadway, mumbles like a flat-car hobo that he was forced to come back to Zachariah from his guilt at trying to pass. With a frog-legged squat and a patchquilt beard he nags and cajoles Zachariah not to leave...

Author: By Ruth N. Glushein, | Title: The Blood Knot | 3/28/1969 | See Source »

What does not hang well in this Blood Knot is the awkward handling of the asides and soliloquies that reveal the brothers' fears about color: Zachariah's awakening to the constraints his blackness will impose and Morris's guilt for passing as white. That apartheid distorts their lives is evident when they panic at Ethel's proposed visit, but the symbolic ballet of their hatred for each other's color seems a detached, out-of-joint afterthought to the play...

Author: By Ruth N. Glushein, | Title: The Blood Knot | 3/28/1969 | See Source »

...theatre in which Blood Knot is being given is a relic from the age of movie palaces. A second-story rotunda gapes above the lobby and fleurs-delis peel from the dome over the stage. There are new pastel stripes painted on the lobby floor, but the heart of the place is in decay. So the theatre, and so the Country...

Author: By Ruth N. Glushein, | Title: The Blood Knot | 3/28/1969 | See Source »

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