Word: knowed
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Michigan Daily's attitude toward the story is interesting. The paper introduced the article by saying, "Mr. LaBour says it's all true." But editorial page editor Steve J. Anzalone said last week that "we're not trying to pass this off as a news story. I don't know how serious Fred was; I hope most people aren't believing...
Many of us know now what we want. Or at least we know what we don't want. We don't want the war or any part of the society that made it. We may not even want any part of the whole civilization. It might be necessary to go back two hundred years and start again...
...point is that modern philosophy, maybe since Marx has taught us the necessary correlation between theory and practice. You don't really believe something unless you are acting for it. We want to abolish the Center, for example, but we don't know how. And so we have an irreconcilable tension in our existence all the way from breakfast to bedtime...
...ruling class." then they would admit that if everyone did all he could to blow up buildings, that would "raise the cost" more than any mass organizing we will do in the next ten years. It may even be that exploding buildings helps to open consciousness. You never know whether you really want something until someone takes it away from you and you have to build it again. The old theory-practice idea would say that you don't want something unless you are building it constantly. Once the Center was gone, what reasons could you find for rebuilding...
Hitchcock's usual superiority to his characters gives way to a character study. Despite Perkins's supposed psychological complexity, we know him through his charming mannerisms, his strong moral opinions, his reactions to other people. Hitchcock abandons a manipulative shooting style for one that is simply assured. From the opening sequence, a series of pans over Phoenix succeeded by a track into a dark hotel window, one feels a solid engagement with the character's personal situations. The people of the film exist in the world, not in relation to some abstract scheme intended for moral edification...