Word: knowed
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Dates: during 1970-1979
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...staffers had been employed by companies that held licenses, permits or contracts with the commission. In particular, the U.C.S. is critical of NRC Chairman Joseph M. Hendrie for not keeping at arm's length the industry he regulates. Retorts Hendrie: "I don't think my critics know my mindset. They have a po litical goal, which is to capture the NRC with antinuclear forces." And Hendrie insists: "I've never worked a day in my life for the commercial nuclear industry...
...choking grip. "Proclaim!" ordered the angel for a third time. "Proclaim in the name of the Lord, the Creator who created man from a clot of blood! Proclaim! Your Lord is most gracious. It is he who has taught man by the pen that which he does not know...
...months with young, are left untended; when the wild beasts are herded together; when the oceans boil over with a swell;... when the World on High is unveiled; when the Blazing Fire is kindled to fierce heat; and when the Garden is brought near;-(Then) shall each soul know what it has put forward...
...Begin made an unhappy visit to Yamit, one of fifteen Sinai settlements that will be returned to Egyptian sovereignty under the peace plan. Though the residents were angry, they listened quietly as Begin told them that the choice had been between peace or giving up the Sinai communities: "I know it hurts. It hurts me too. But all we did was for peace and for the future of the Israeli people." One problem concerning the transition of the Sinai to Egyptian control is that the mandate of the 4,000 U.N. soldiers presently on duty there is scheduled...
...they must have looked quite peripheral when they were done. The audience for them was small compared with that for a radical poet like Vladimir Mayakovsky, and the link that planar sculp ture sought between art and technology was often frustrated by shortages of materials and know-how. Still, these works cast a long shadow. The most surprising aspect of the show is the quality of some of the lesser known artists whose work Curator Rowell has ferreted out. One was Katarzyna Kobro, a Russian woman who worked with Malevich and Lissitzky in the years just after the 1917 Revolution...