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Word: knowed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Student support will be crucial if a strike occurs, Bradford said. "Students don't know their economic power--90 per cent of the college is funded by tuition...

Author: By Eileen M. Smith, | Title: RISD Faculty May Strike | 2/16/1979 | See Source »

...bought two dozen red carnations for six women. I don't know how I'm going to get them all delivered in one night," one Harvard student who wished to remain unidentified, said yesterday...

Author: By Jennifer L. Marrs, | Title: Valentine's Day 1979: Urging Careful Love And Tender Loving Care | 2/15/1979 | See Source »

...girl who once left him and his anguish increase as he mentally reenacts past relationships with his mother and a discarded Ophelia-both of whom he destroyed through neglect. The camera repeatedly closes in on Joe's face as the girl's taunts become increasingly strident, "You know that penny farthing hell you call your mind...that's where you think this is coming from don't you...behind the eyes." We expect some kind of catharsis and yet Kim gives us none save two tears which slowly roll down Joe's face...

Author: By Ken Wise, | Title: Talking Instruments | 2/13/1979 | See Source »

...TRAGEDY, according to Yellen, is that Sinclair Lewis and Dorothy Thompson, two brilliant writers and decent, caring human beings, were unable to know each other, to love each other. He attempts to explain Lewis' problem in the final scene, where Dern, who has gotten drunk and become violent, sits strapped in a straitjacket and launches into a lengthy monologue as Lewis's father, revealing the old man's perpetual dissatisfaction with his son. The speech should be a tour-de-force--Dern does a beautiful job with it--but it is so empty in concept, so obvious in construction, that...

Author: By David B. Edelstein, | Title: Strangely Bland | 2/12/1979 | See Source »

Yellen can write amusing dialogue, but the jokes rarely have anything to do with the characters, and most of the "meaningful" lines are slick and stilted: "You drink to be more than yourself, but it only makes you so much less than you are," "I don't know how to love," etc. The play never casts light or the writing of Sinclair Lewis, and the characters are not sufficiently human or interesting enough to survive without the glamorous names. There's nothing inherently "dramatic" in Strangers except that the two leading characters talk a lot and the rapid flow...

Author: By David B. Edelstein, | Title: Strangely Bland | 2/12/1979 | See Source »

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