Word: knowed
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Dates: during 1970-1979
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...calls my toughest questions." One of them was directed to the charge that people were now calling Khomeini a dictator. "It hurts me," the Ayatullah answered, "because it is unjust and inhuman to call me a dictator. On the other hand, I couldn't care less, because I know that wickedness is a part of human nature, and such wickedness comes from our enemies. Considering the road that we have chosen, a road that is opposed to the superpowers it is normal that the servants of foreign interests prick me with their poison and hurl all kinds of calumnies...
...thing the Ayatullah does seem to know: that Iran's revolution will go its own way regardless of what outsiders think. "If you foreigners do not understand, too bad for you," he said at one point. "It's none of your business. If some Persians don't understand it, too bad for them. It means they have not understood Islam...
Vain, imperious, shy, a social throwback to the Old South, drowning like some failed Pleistocene fish in the swirling currents of democracy, Patrick Henry Bruce cannot have been an easy man to know. He refused to discuss his work, except with like-minded people; since he was sure that there was nobody like him in the art world, not one firsthand remark about his methods or aims has survived. In fits of depression, he destroyed part of his output; much of what he did not burn has been lost, and about half of his surviving late work was altered...
...lighted up. In dozens of earlier experiments, the filament had blazed a few minutes before breaking, but this time it continued to glow. Forty hours later the bulb was still alight, and Thomas Alva Edison boasted to his staff: "If it will burn that number of hours now, I know I can make it burn a hundred." Man had entered the age of electricity...
...laughs from the material. Director Norman Jewison (Rollerball, F.I.S.T.) is not that man. His movie's helter-skelter tone swivels irrationally and usually heads straight for a dead end. Mad scenes, broad comic bits and mournful monologues are so indiscriminately mixed that the audience often does not know how to respond. At one point the movie comes to a halt so that we can go on a supposedly comic helicopter ride. There are also pointless interludes in which the hero visits his humorless grandfather (Lee Strasberg) at an old-age home; these scenes swing wildly between sentimental clich...