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Word: knowing (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...chief virtue of the old epistolary novel was suspense; the tense was present, and the letter writers did not know what would happen once they put down their quills. Barth strips the form of any forward thrust. His interest is not in progress or advancement but in recapitulation. The letters are governed by a "Deeper Pattern"; the letter writers slowly merge in the conviction that they are living the first part of their lives for a second time or, as one writes, that "biography like history may re-enact itself as farce." Stasis reigns, history is not Viconian cycles...

Author: /time Magazine | Title: Books: Lost in the Funhouse | 10/8/1979 | See Source »

...hope your review of my Letters novel will not emphasize the role in it of my earlier novels, since that is the aspect of the novel I am most inclined to de-emphasize. My books are allowed to know one another, as children of the same father, but they must lead their lives in dependently. It is a rule in our house that one may recycle characters from one's earlier stories, but only if one does not presume even for a sentence that even one reader has even heard of those stories and characters, much less that anyone...

Author: /time Magazine | Title: Books: Lost in the Funhouse | 10/8/1979 | See Source »

...David secretly begins tracking them down-in New York, then in Vermont. He is reunited with Jade. She is much changed, of course; it is part of Spencer's cunning to make the reader understand what an ordinary and vaguely disagreeable wom an she is becoming, and also know why David loves her so completely...

Author: /time Magazine | Title: Books: Torch Song | 10/8/1979 | See Source »

...help thinking you're on Candid Camera. " Sometimes it can be a little too candid. Last week, before Cruz-Romo's big arias, viewers could clearly see her rolling her tongue to gather saliva in her mouth ("My God," she said later, "I didn't know I did that"). But, as Domingo points out, that very intimacy can also enhance a performer's expressiveness: "Viewers can appreciate what's lost on stage-a little glance, a movement. I think we should take advantage...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

...group of Harvard professors, their objections to the Cambodian decision illustrated that hyperbole was not confined to the Administration. One distinguished professor gave it as his considered analysis that "somebody had forgotten to tell the President that Cambodia was a country; he acted as if he didn't know this." Another declared that we had provoked

Author: /time Magazine | Title: Special Section: WHITE HOUSE YEARS: PART 2 THE AGONY OF VIETNAM | 10/8/1979 | See Source »

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