Word: known
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Dates: during 1960-1969
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...Agriculture Department appropriations, Nader noticed that it urged "further studies" of the U.S. meat-inspection program. Did that mean that there had been earlier studies showing that the U.S. had a meat problem? Indeed it did, as Nader found out when he requested a copy of the little-known study at the Agriculture Department. "Nobody ever asked for this before," said the employee who handed it to him. The study gave graphic descriptions of conditions in some meat plants...
Like a man possessed, Nader has forsworn any semblance of a normal life. His workdays last 16 to 20 hours, often seven days a week. He has no secretaries, no ghostwriters, no personal aides other than his summer volunteers. Nader operates from two little-known Washington addresses and two unlisted telephones?one in the hallway outside the $80-a-month furnished room that has been his home for the past five years, the other in his one-room office in the National Press Building. He rarely answers knocks on the door and sometimes lets the telephone ring; the surest...
Combining a scholar's passion for detail with a novelist's fertile imagination, Mujica-Lainez set about constructing from the few known facts a sumptuous, fictional Doge's Palace of the mind. Like that famous seat of the Venetian Republic, whose ceiling, walls and floors constitute a convulsion of visual splendor, Bomarzo's pages glitter with descriptions of processions, land and naval battles, landscapes, a courtesan's sultry rec room and a cabalist's murky study...
...include a 19-ft.-high elephant crushing a warrior in its trunk, a giant dismembering a man, a goddess with each pubic hair clearly delineated, and a 20-ft. satanic head whose mouth opens into a large chamber. These overwhelming creations are 50 miles north of Rome. It is known only that they were carved between 1555 and 1585 at the command of Duke Pier Francesco Orsini...
Mujica-Lainez conveys not only the well-known creative energies of the Renaissance but its less understood anxieties as well. Unmoored from the sureties of medieval order, the leisured man and the artist of the 16th century sought comfort in personal style. Every inch of space had to be embellished. Emptiness and simplicity were troubling reminders of a yawning eternity...