Word: knowns
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Dates: during 1980-1989
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AGAINST NATURE: JAPANESE ART IN THE EIGHTIES, San Francisco Museum of Modern Art. Architect Arata Isozaki and fashion designer Issey Miyake are famous abroad, but contemporary visual art from Japan is still little known in the West. The first major U.S. museum show from Japan in more than 20 years brings Americans a survey of new work from the cultural center of East Asia. Through...
...camp 17,400 ft. up. Later, during an artillery exchange, Nickelsberg tried to dash to a better position only to discover that the thin air made it "nearly impossible to run." The rigors behind him, Nickelsberg sent back the first combat pictures seen in the West of this little-known conflict...
...bestowed on the competitor sporting the worst attire. Its eponym still buys bargain threads at a factory outlet. Despite his recent affluence, he continues to describe himself as "all name and no money." Thrift is a virtue for someone trying to build his own business without capital. Bush became known as a shrewd dealmaker who could attract investors without incurring debt. As the energy business flourished in the late '70s, he built a small, solvent outfit of his own. He also married Laura Welch, a librarian, just three months after they met. She explains the courtship's brevity by saying...
...true Communist society (not that there has ever been one, but this is what the Soviets were aiming for), there's little incentive to produce. The well-known goal is "from each according to his abilities, to each according % to his needs." That is a noble concept, but because it separates what people get from how they perform -- they get what they need regardless of how they perform -- it ultimately fails...
This includes Western art history and aspects of Japan's own cultural past. Osaka native Yasumasa Morimura, for example, places himself as the main character in carefully staged and photographed "reproductions" of well-known Western paintings like Manet's Olympia. Tomiaki Yamamoto melds brushy abstract expressionism with the pattern-oriented design sensibility of traditional Japanese textiles. Often his splashy tableaux resemble spread-out kimonos. Typically, as in Untitled, 1985, they are covered with an obsessive, all-over rash of heavily impastoed, drippy dots. Far less theatrical but also keenly focused on subject matter and technique, sculptor Katsura Funakoshi creates blank...