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Schwartz's 60-yd. run on Notre Dame's first running play showed how things were going to be. Pittsburgh had not been scored on this year but Coach Knute Rockne was taking no chances, had started his regulars under brainy Quarterback Frank Carideo. Toward the end of the first half he took them out because Notre Dame needed to score no more. Pittsburgh did all their scoring against second and third stringers in the final quarter. Notre Dame 35, Pittsburgh...

Author: /time Magazine | Title: Football: Nov. 3, 1930 | 11/3/1930 | See Source »

...comedy, a war picture of the hommes 40 chevaux 8 type, was above the average. Even the slapstick seemed funnier than usual. Another feature was an excellent display of football scrimmages in slow motion interspersed with explanations by Knute Rockre...

Author: By S. H. W., | Title: The Crimson Playgoer | 10/21/1930 | See Source »

Southern Methodist of Texas, one of the few unbeaten teams of 1929, forced Coach Knute Rockne to send in his regulars at the start of the second period. Even then Notre Dame did not get the winning touchdown until shortly before the last whistle. Score: Notre Dame 20, Southern Methodist...

Author: /time Magazine | Title: Football: Oct. 13, 1930 | 10/13/1930 | See Source »

...Knute Kenneth Rockne, famed Notre Dame football coach, prepared to open a broker's office in South Bend's Odd Fellows Hall as South Bend representative and special partner of R. H. Gibson & Co. of Cincinnati. With him will be Al Feeney, onetime (1911-13) Notre Dame center. Broker Rockne will conduct his new business without interference to his coaching...

Author: /time Magazine | Title: People: Oct. 13, 1930 | 10/13/1930 | See Source »

...Chicago last week, Barney Balaban, Chicago cinemagnate (Balaban & Katz theatres) was enjoined by Knute and Emil Hulquist, operators of the Chicago Theatre (burlesque), from using the title "Chicago Theatre" for his gaudy nine-year-old, $5,000,000 cinemansion. In the course of the proceedings Mr. Balaban referred to the 250-seater burlesque house as a "shooting gallery," where "females of the grosser type prevail." In defense of burlesque, gallantly replied Emil Hulquist: "There is but one difference between the type of musical entertainment known as the 'revue' or 'musical comedy and that type known...

Author: /time Magazine | Title: The Theatre: Definition | 7/7/1930 | See Source »

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