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...played last week in Tokyo.* Nervous, white-haired Michio Ito, who had spent 20 years in the U.S. directing dance productions, had rehearsed the cast for two months. The 49-man Tokyo Philharmonic had been drilled on the tricky rhythms of Sullivan's music. Kiyoshi Takagi, as Ko-Ko, had learned how to sing "teet wiro. teet wiro." The producers had gambled a whopping 1,800,000 yen ($36,000) on the production. Reserved seats went for 80 yen, the highest theater prices in Japanese history...

Author: /time Magazine | Title: JAPAN: No Mikado, Much Regret | 6/16/1947 | See Source »

...Schertzinger Mikado, adapted by Conductor Geoffrey Toye, contains no word that Gilbert, no note that Sullivan, did not write. A few omissions include the duet between Katisha and Ko-Ko, There is beauty in the bellow of the blast and Ko-Ko's song I've got a little list. Sets are far handsomer than any ever seen on the Savoyard stage. Sound recording is approximately perfect. On close inspection, cinemaddicts will note that the Mikado's story conforms strictly to Boy-Meets-Girl pattern; and that Gilbert & Sullivan have not yet been...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 5, 1939 | 6/5/1939 | See Source »

Died. Frank Moulan, 63, veteran Gilbert & Sullivan baritone ("Ko-Ko," "The Duke of Plaza-Toro," "Sir Joseph Porter") ; in Manhattan...

Author: /time Magazine | Title: Milestones, May 22, 1939 | 5/22/1939 | See Source »

...mild crisis has colored the D'Oyly Carters' present visit. Several Broadway critics accused Martyn Green, the company's chief comic, of prancing, capering, grimacing too much as Ko-Ko in The Mikado-"putting the horseplay before the D'Oyly Carte," as Critic John Anderson referred to it. To this the Olympian D'Oyly Carters made no answer, merely continued to play, night after night, to standees...

Author: /time Magazine | Title: Theatre: G&S | 2/6/1939 | See Source »

...cast which Producer Milton Aborn presents is about the same that appeared in his revivals two years ago. Frank Moulan, a little monkey of a man who delighted St. Louis Municipal Operagoers many a summer season in the past, takes the part of Ko-Ko, the Lord High Executioner who finds himself in danger of having to execute himself. Yum-Yum, one of his wards, is Hizi Koyke. Her suitor, the Mikado's wandering minstrel son, is played by Roy Cropper, a young man with a pleasingly liquid tenor...

Author: /time Magazine | Title: Theatre: Revival: May 1, 1933 | 5/1/1933 | See Source »

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