Word: ko
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Dates: during 1990-1999
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According to a Nissan spokesperson reached in Los Angeles yesterday, the notice will force the closure of the dealership's sales, parts and service departments, leaving nothing but memories for franchise owner Nai Nan Ko...
...Ko hopes to take the parent corporation to federal court, claiming that no part of his franchise contract has been violated...
...relaxed in an office decorated with a few jade dragons, some posters commemorating recent Super Bowls and other hints of a life divided between two cultures, Ko explained how he came to own the Inman Square garage...
...stage, sucks a little more oxygen into her grand bosom and singes the audience with I Do What I Can (with What I Got), a torchy tune about the advantages and imperatives of being a knockout babe. Johnson's rendition, in the Larry Grossman musical Paper Moon, is a KO as well; she coos, she beguiles, she does everything but bump it with a trumpet. It's the sort of turn to persuade even a show-biz skeptic that, yes, the Broadway musical is alive and well...
...Bear." Ellington's double bass feature for Jimmy Blanton was competently played by bassist Ben Wolfe. However, the cameo appearance of pianist Marcus Roberts proved to be the highlight of the tune. Roberts stretched the harmonies of his blues choruses with Monkish lines, piano runs reminiscent of Ellington's "Ko-Ko" and an unparalled rhythmic concept. Following Roberts, Marsalis introduced LCJO's vocalist Milt Grayson. A veteran of the Ellington orchestra, Grayson charmed the audience with his thick bass voice as he worked through renditions of "Do Nothin' Till You Hear From Me" and "Love You Madly." Marsalis ended...