Word: ko
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...Groove Tube's saving-grace exception to this kind of tired and often insulting joke is a brilliantly conceived and brilliantly performed take-off on kiddie-shows, "Ko-Ko the clown," Ko-Ko squeals and prances his way through the usual Saturday morning routines until "Make-Believe Time," when he tells the boys and girls to make sure that all the "big people" are out of the room. When Make Believe Time finally gets started, Ko-Ko takes off his rubber nose, lights a cigarette, matter-of-factly announces "We have a request from Ricky Allen of Maplewood, New Jersey...
...House (English): Henry A, Tanz, of Tueson. Ariz., and Quindy House (Physics): Allan B. Taylor, of North Haven, Conn., and Leverett House (Social Studies): Robert T. Teske, of Milwaukee. Wise., and Quincy House (Folklore and Mythology): Warren T. Treadgold, of Seattle. Wash., and Eliot House (History and Literature); B, Ko-Young Tung, of Tokyo. Japan, and Quincy House (Physics): Bruce C. Vladek, of New York and Winthrop House (Government): Rebert F, Wasserstrom, of Dewitt, N. Y., and Lowell House (Folklore and Mythology...
...thing of shreds and patches... ) established Nanki-Poo as a totally different character from that of the traditional interpretations. Alan Abrams, as Pooh-Bah, the Lord High Everything Else, was marvelous as the proud but corrupt political hack. But the undisputed star of the show was Josh Rubins, as Ko-Ko, the Lord High Executioner. Following the opulent train of reverent courtiers, he wore a ludicrous robe decorated with axe-heads and carried a headsman's axe several inches taller than he is. It was enough to bring down the house. His version of "As someday it may happen that...
Among those invited to the Nepalese bash are Charles W. Dunn, Master of Quincy House; Dr. Leona Baumgartner, visiting professor of Social Medicine; Joel M. Porte, Allston Burr Senior Tutor in Quincy House; John Darling, steward of the Fox Club; and Ko-Yung Tung, a first-year student in the Law School...
...bass and Joe Farrell splitting three ways on tenor, soprano sax and flute, Jones here uses his flashy technique to inspire, shape and embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into an exuberant display of staccato licks that would bring a real marching band to its knees...