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Tasaki gets the old and new Japans squared off against each other by rigging up two brother & sister teams of near-vaudeville quality. Ko-ume, the gorgeous and traditional geisha, can't hope to land Minoru, the weakling son of a count. The girl who successfully bucks Ko-ume is rich, intelligent, beautiful, and a nobleman's daughter besides. Ko-ume naturally does the natural thing: she hops off a cliff. Ko-ume's brother Takeo is something else, a young peasant back from the infantry whose earthiness envelops the count's liberal daughter before...

Author: /time Magazine | Title: Books: Made in Japan | 8/4/1952 | See Source »

...most marked change from the traditional Mikado--besides the increased importance of the onstage chorus--is the rather unusual interpretation of two of the principals, Ko-Ko and Pooh-Bah. Ko-Ko is, and always has been, a shy, introverted fellow, but Allan Miller a bit overdoes his meekness, with the result that we miss the slight hamming which ordinarily characterizes the Lord High Executioner. Barry Pennington's Pooh-Bah, however, is also a dead-pan job, but is so superbly done that it at times steals the stage from Ko-Ko...

Author: By Joseph P. Lorenz, | Title: The Mikado | 4/17/1952 | See Source »

...died before this project could be carried out, at 75, of a heart attack, while swimming in a pool on his country estate. The last verse he wrote was an encore for Ko-Ko's song about those people who "never would be missed...

Author: /time Magazine | Title: Books: The Savoyards | 3/3/1952 | See Source »

...ROBINSON KO's ELLIS IN FIRST...

Author: NO WRITER ATTRIBUTED | Title: National Sports | 4/10/1951 | See Source »

...KO'd Jeffrey in second round...

Author: NO WRITER ATTRIBUTED | Title: National Sports | 3/30/1951 | See Source »

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