Word: koelb
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Follamen Dan Kirsch and Rich Kolombatovitch won all three of their bouts, Jon Koelb won both of his sabre bouts, fencing primarily a defensive match. As usual, the epee group proved erratic...
...subtle enough to reveal nuances of personality. Shaw's characters are complex creations. They discover and reveal unpleasant truths about themselves, as when the minister's wife Judith finds herself falling in love with Dick, the dashing reprobate. Several times in the first two acts, Director Clayton Koelb sacrifices subtlety to mere farce. For example, Dick's younger brother, Charles Degleman is so completely--if amusingly--idiotic that it is hard to remember that he is considered the "good" brother of the family...
...Koelb has blocked the action to produce tableaux which highlight the play's themes. Some of these capture and frame a perfect moment of deception. For example, Mrs. Dudgeon is more concerned about the disposition of her property than the death of her husband; then she enters the room in slow-paced mourning and all relatives rise and bow their heads in sympathy...
They are Joseph A. Porter '64, of Eliot House and Madisonville, Ky.; John M. Lewis '63-3, of Lowell House and Lyndon, Vt.; Jeffrey H. Utter '64, of Lowell House and Auburn; Marc J. Roberts '64, of Eliot House and Bayonne, N.J.; and Clayton T. Koelb '64, of Leverett House and Providence...
...success of Without Apologies caps a season in which Clayton Koelb has presented at least three other productions of considerable value--a fine rendition of Shaw's Village Wooing; the first play of Timothy Mayer, That Day They Read of It No More; and an acceptable production of Strindberg's The Link, the only important drama of a serious nature seen here this summer