Word: koelbe
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Dates: during 1963-1963
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...Clayton Koelb, the Baron, and Laura Esterman, his wife, had deceptively complex roles, and neither succeeded in exploring thoroughly the intricacies of his part...
...Koelb too often substituted shouting for intensity, and his arms dangled uselessly at his side throughout most of the play. His motion, like that of practically everyone else, was occasionally very awkward and poorly blocked...
...Koelb did hint at the embivalence with which Stringberg viewed the Baron's position. There was no question in the author's mind that the Baron had been wronged; his wife was a vile creature who represented all that Strindberg feared in women. At the same time, the Baron's association with his wife had despoiled him as well, leading him into unforgivable transgressions. Koelb was both remorseful and wronged, though perhaps a shade more guilty and compassionate towards his wife than Strindberg would have wished...
Ruffin Cooper, Jr., Associate Producer of the Experimental Theater, will direct the revue, a series of satirical musical sketches on current foibles of modern society. Clayton Koelb, Executive Producer of the Experimental Theatre, is the producer...
...production the second week of the season is a new one act drama in verse by Timothy S. Mayer, That Day They Read Of It No More. Mayer will direct his play, a masque with music based on a Dante legend. Koelb will also produce this play, which will be presented Sunday, July 14, Monday and Tuesday evenings...