Word: kogan
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Peter Dinneen (H) d. Eric Kogan...
DIED. Leonid Kogan, 58, slight "aristocrat of the violin," cherished by worldwide audiences for his poker-face pyrotechnics and the silken refinement of his playing; of causes and in a location not announced by Soviet officials. A prodigy who burst into the international spotlight at age 27 by winning the 1951 Queen Elisabeth Music Competition in Brussels, Kogan's flawless but aloof technique could on occasion produce bloodless interpretations. A Jew who denied that Moscow was guilty of anti-Semitic discrimination, he publicly criticized dissidents like Andrei Sakharov...
...Bansal, Saran Burgess, Jenniler Burton Ethan Cohen, Regan Coleman, Eggert Dagbjartsson, Gerlad Damm, Suzanne Dechy, Charles DiBona, Mark Eichorn, Erica Eisenberg, Andrew Fletcher, William Foulkes, M. Fima Friedman, Paul Gompers, Loralic Goss, Alison Harrington, Emily Harrison, Adrienne Headley, Ron Herman, Michael Hirschorn, Raquel Jacobson, Per Jebsen, Kerry Kelgar, Scott Kogan, Mary Kwak, Deborah I esinsohn, Brian Melindez, Alan Morre, Steven Nusshaum, An Posner, Marvin Putnam, William Rehling, Samuel Rickless, Mitch Rosner, Chris Roy, Charles Rudmick, Jill Ruttenberg, Jell Russan, Laura Robinson, Michael Samols, Katherine Saunders, Henry Shapiro, Andrea Silbert, Daman Silvers, Steven Smart, Vivian Sogor, Jake Stevens, James Umlas, Elisheva...
...came here knowing that my performance wouldn't count for credit, and I didn't expect it because this isn't a conservatory," says Roy Kogan '80, a music concentrator who frequently performs on the piano. He also points out that students can concentrate in music and take music 180r, a seminar in performance and analysis. Furthermore Harvard provides more of an opportunity to perform than a conservatory, Kogan says. It's ultimately a matter of balancing the pros and cons of practicing the arts at Harvard. After you do that, simply realize that you have no choice...
...despite its simplicity, is suitably rich and ornate. Liz Perlman's costumes are strikingly beautiful, especially her debauched creations for Lulu. The haunting photograph of Anne Clark as Lulu, as well as the jarringly lighthearted piano rags played by Roy Kogan, also contribute to the play's eerie decadence...