Word: kohã
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...then came the main event. Antonin Dvorak’s “Cello Concerto in B minor,” featuring Koh??s solo performance, was undoubtedly the highlight of the evening. Truly a vessel for the music, Koh moved with the orchestra and with the conductor, his closed eyes suggesting deep emotion and intense concentration etched across his face. Koh moved his arms with fluidity and athletic agility, his fingers nimbly scaling up and down the fingerboard of his cello to produce a rich, deep, and confident sound that swirled upward to the top of Sanders...
...premiere of “Dystonic: Trio,” a work choreographed by Larissa D. Koch ’08. The piece begins with a virtuosic interpretation of one of Max Reger’s Suites for Solo Cello by Bong Ihn Koh ’08. Although Koh??s excellent cello playing is a hard act to follow, the choreography demonstrates a deep understanding of the relationship between tension and fluidity and allows the dancers to complement, rather than compete with, Koh??s playing. The two dancers of the piece–Koch...
...Koh??who studies at the New England Conservatory as part of a joint five-year B.A./M.M. program—won second prize in the Gyeongnam International Music Competition...
...disappointed by one aspect of the competition: the apathy towards Yun’s music that many of Koh??s competitors expressed. In what was supposed to be a competition honoring the composer’s accomplishments, Koh would be the only participant to perform one of Yun’s pieces—the challenging 1976 “Cello Concerto”—in the final rounds...
...Goldstein says. And then, like any other scribe, he had writer’s block. Setting down his egg-and-cheese bagel, Goldstein explains that his prose felt “stilted and too removed.” He finally found his voice after writing the early scene when Koh??described as “a sturdy Asian man” with an overflowing briefcase—first bursts into classroom and the narrative. “That was the first scene that I said ‘I got it,’” Goldstein...