Word: kohler
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...women (Brenda Bruce, Estelle Kohler, Louise Jameson) have good voices, speak with commendable clarity, and represent varying facets of Sylvia Plath's personality. The stage is almost bone bare. The women wear what look like white nightgowns in the first act, and white surgical gowns and caps in Act II. This effects a contrast with the Stygian-dark moods and bloodletting images of the poems...
...DIRECTORS (they may have "called each other a lot of other things first" before they called each other brother) have imported a sense of vigor to most of the cast. As Jack's intended Gwendolyn, Marie Kohler is delectable in both her appearance and her acting. Kohler's lines seem to roll effortlessly off her tongue with the haughty tone in which they were written to be delivered. Her counterpart, Algernon's Cecily, with whom she shares the funniest scene in the comedy, is not as stylish; Anne Ames, in her carriage and visage, mistakes movement for animation. Stephen Zinsser...
...IMPORTANCE of the dance is plainest when The Soldier's Tale is staged, because there's a long dance at the end of the first part. In this production, the dance, like everything else, is excellent. Eleanor Lindsay, the director, has Marie Kohler rise from her illness slowly, turning first to Bernard Holmberg, the Narrator, and only at his direction, timidly, and then with increasing delight, to the Soldier, Terry Emerson. Kohler can dominate the stage just by putting on her cloak; and Holmberg and Pope Brock as the Devil are virtually as good as the other...
...KOHLER...
...Kohler...