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...Pavel Kohout's The Hangwoman details the effortlessness of killing in modern society. By setting his satiric novel in a school for executioners, Kohout presents a brutal and vivid image which he masks in the lightness of his writing. The school, the seven students, and the two directors become metaphors for the interactions of society, humanity, and bureaucracy...

Author: By Laura K. Jereski, | Title: Torture and Taboo | 3/19/1981 | See Source »

...urgent SOS that echoed through a Prague street last week was banged out on the horn of a locked car by Pavel Kohout, the internationally acclaimed playwright, and his wife Jelena. Surrounding them were Czechoslovak policemen, with revolvers drawn. Having futilely pulled on the handle, the angry police pried open the door with a crowbar and dragged out the frightened couple. After beating Pavel, police shoved the playwright and his wife into a van and drove off to the Ruzyně detention center just outside the capital...

Author: /time Magazine | Title: HUMAN RIGHTS: Spirit of Helsinki, Where Are You? | 1/24/1977 | See Source »

...assault on Kohout, author of such plays as Poor Murderer and The Third Sister, was the most dramatic incident in a crackdown campaign against dissidents ordered by Czechoslovak authorities. Last week more than a dozen intellectuals and former party leaders were taken to Ruzyně, interrogated nonstop for as long as 14 hours and then released-only to have the intimidating procedure repeated in a day or so. Their "crime": being among the more than 300 Czechoslovaks who have signed Charter 77, a 3,000-word petition that calls upon Communist Party Boss Gustav Husák's repressive...

Author: /time Magazine | Title: HUMAN RIGHTS: Spirit of Helsinki, Where Are You? | 1/24/1977 | See Source »

...resisting the barbarism of Goebbels and Co. Solzhenitsyn, though not published in Russia in the last ten years before he was expelled, still had a sense of speaking for the people, representing the national values against the neo-Stalinist pragmatism of Brezhnev. Similarly Czech writers, particularly Kundera. Vaculik and Kohout sensed the necessity to remain in their country. In touch with their people, even in this period of darkness. This is also reinforced by the shared feeling that they have a debt to pay. In 1948 Kohout and Kundera warmly welcomed the communist takeover in Czechoslovakia. They soon found...

Author: By Jacques D. Rupnik, | Title: The Politics of Culture in Czechoslovakia | 5/20/1975 | See Source »

...summit drew closer, all Eastern Europe was edgy-and unsure of exactly what lay ahead. Despite their studied nonchalance, the Czechoslovak people pressed their leaders hard not to compromise. Thousands of them lined up to sign copies of a manifesto, written by Playwright Pavel Kohout and printed in the journal Literární Listy, which exhorted the leaders to "act, explain and unanimously defend the way that we have entered and do not in tend to leave while we live." Along with the manifesto, the journal's editors ran a cartoon showing a gargantuan figure of Soviet Party...

Author: /time Magazine | Title: World: Toward a Collective Test of Wills | 8/2/1968 | See Source »

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