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...service that hundreds of Harvard students will attend this evening is called Kol Nidre, or "All Our Vows." It is one of the most effective and compelling legal fictions of all time. In this ceremony, which is only performed once a year, the synagogue is converted into a courtroom. Torah scrolls are brought out before the congregation, and three people--usually the person leading the service plus two others--stand together at the front of the room to comprise a court of law. With court in session, the person leading the service recites three times, in a melody at least...

Author: NO WRITER ATTRIBUTED | Title: Not Just Another Friday Night | 10/10/1997 | See Source »

...really knows where the text of Kol Nidre originated, but throughout Jewish history, the legal loophole has been a useful one. The service for Kol Nidre was put to use in medieval Spain, for example, when recently Christianized Visigoths began "encouraging" Jews to convert to Catholicism--and threatening them with death if they declined the offer. Facing these appealing options, many Jews publicly converted while continuing to live secretly as Jews. Faced with the fact that so many of them had made false vows before God, Jews took advantage of the Kol Nidre formula, knowing that if they appeared...

Author: NO WRITER ATTRIBUTED | Title: Not Just Another Friday Night | 10/10/1997 | See Source »

JANOS STARKER (Mercury Living Presence). Accompanied by Antal Dorati and the London Symphony Orchestra, the splendidly patrician Starker restores freshness to three warhorses: Dvorak's Cello Concerto, Bruch's Kol Nidrei and Tchaikovsky's Variations on a Rococo Theme. This is one of several remarkable recordings immaculately transferred from the Mercury Living Presence series (1951-68), which for sound quality remains unsurpassed...

Author: /time Magazine | Title: Critics' Voices: Dec. 10, 1990 | 12/10/1990 | See Source »

...clock on Sunday, I joined hundreds of Jews in Sanders Theater for Kol Nidre, the ritual prayer that begins Yom Kippur services. That evening I gained new insight into my religion...

Author: By Lawrence B. Finer, | Title: My Search for Jewish Unity | 10/10/1989 | See Source »

...tucks Neil Diamond inside a tradition. He is revealed as a rouser, a showman, a kind of bandmaster of the American mainstream. Like Jolson's, even Diamond's slickest movements seem sincere. The stuff may be corny, but it's never prefab. Neil leans into the Kol Nidre as if it were a sacred version of his sound-track anthem for Jonathan Livingston Seagull. One may question his taste, but not his enthusiasm or his exuberance. America, his up-tempo celebration of the immigrant glories of American life that opens and closes The Jazz Singer, is equal...

Author: /time Magazine | Title: Music: Bandmaster of the Mainstream | 1/26/1981 | See Source »

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