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...sell 1,000,000 classical LPs. His recording: Tchaikovsky's Piano Concerto No. 1, which captured first prize for him in the spring of 1958 in Moscow's International Tchaikovsky Competition and which he recorded two weeks later in empty Carnegie Hall, Russia's Kiril Kondrashin conducting...

Author: /time Magazine | Title: Records: Hot Classic | 1/5/1962 | See Source »

...offering a straight Tchaikovsky repertory during the first two weeks of their stay, with no other classics and no modern works. (Muttered Permanent Conductor Konstantin Ivanov, who wanted to play more Beethoven: "I suppose King Hurok knows best.") Under the 52-year-old Ivanov and 45-year-old Kiril Kondrashin. one of Russia's most active guest conductors, the 106-man Moscow symphony displayed some solid virtues and some marked weaknesses. The Russians attacked their Tchaikovsky less fiercely than many U.S. orchestras, and the old tub thumpers emerged at times with a lacy lightness lost in many...

Author: /time Magazine | Title: Music: Mission from Moscow | 1/18/1960 | See Source »

When he arrived, he had been virtually without sleep for two nights. Mobbed by the press and friends, he sandwiched in three Manhattan rehearsals with Soviet Conductor Kiril P. Kondrashin and the Symphony of the Air. The queues for standing room started forming outside Carnegie-Hall early in the morning, and nearly an hour before the concert the hall began filling. Van himself arrived backstage five minutes after Conductor Kondrashin had launched the orchestra into Prokofiev's Classical Symphony. Before his cue came, he prayed. Then the 6-ft. 4-in. Texan strode onstage and proved to doubters that...

Author: /time Magazine | Title: Music: Hero's Return | 6/2/1958 | See Source »

...cracking cadenza that the pianist-composer himself chose not to play. Despite a few nervous smashes in the opening Tchaikovsky, he played with such bravura and nuance that the audience paid him the rare tribute of thunderous applause between movements. After both concertos, as he rushed to embrace Conductor Kondrashin, he won shouting, standing ovations-and a deep-throated roar when he finally sat down to his encores : Rachmaninoff's Etude Tableau, the finale of Samuel Barber's Sonata and the Schumann-Liszt Widmung. The critics chimed in with the crowd. Sample: the New York Times...

Author: /time Magazine | Title: Music: Hero's Return | 6/2/1958 | See Source »

...same kind of reception. After his concert at the Academy of Music, he escaped through a shrieking crowd that tore the handles from the doors of his limousine. In Washington, before his concert at Constitution Hall, he went to the White House with his parents and Conductor Kondrashin. President Eisenhower gave him a preperformance pep talk: "After that kind of ordeal over there, you will be all right." Cliburn hit Constitution Hall like a landslide, stayed for lunch in the Senate Dining Room with the congressional delegation from Texas. At week's end he returned to Manhattan to appear...

Author: /time Magazine | Title: Music: Hero's Return | 6/2/1958 | See Source »

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