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...musical hero of Salzburg last week was Conductor Bruno Walter. This able Jew had arrived ailing from the effects of a Vienna performance of Tristan wud Isolde at which Nazi bullyboys threw stink bombs, ending the opera with the plump Isolde (Soprano Anny Konetzni) lying mute and gasping on Tristan's body while the orchestra wabbled through the Liebestod. To Walter at Salzburg was allotted Tristan, Mozart's Don Giovanni, Gluck's Orptmis and Eurydice...

Author: /time Magazine | Title: Music: Salzburg's Season | 8/24/1936 | See Source »

When Frida Leider decided to remain in Europe this winter, Manhattan's Metropolitan Opera Company engaged a strapping Austrian soprano named Anny Konetzni to sing heroic Wagnerian roles. Anny Konetzni had been a swimming champion and a contralto, before she went up in the scale. For her debut performance last week she donned the feathers and breastplate of the Walkure Brünnhilde, proved herself a routine interpreter with a big pleasant voice which she had trouble controlling...

Author: /time Magazine | Title: Music: New Brunnhilde | 1/7/1935 | See Source »

...next season, probably his last, Manager Gatti has engaged a new conductor, Ettore Panizza, to replace Tullio Serafin. There will be six new singers: Tenor Dino Borgioli, German Soprano Anny Konetzni, U. S. Contraltos Kathryn Meisle and Myrtle Leonard, U. S. Sopranos Helen Jepson and Mary Elisabeth Moore. All but pretty little Mary Moore have had operatic experience. With a record of only one public performance (Baltimore. April 1933), she was engaged for five leading coloratura roles at the Metropolitan...

Author: /time Magazine | Title: Music: Metropolitan Prospects | 7/2/1934 | See Source »

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