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...KONRAD LORENZ: A BIOGRAPHY...

Author: /time Magazine | Title: Books: Notable | 3/14/1977 | See Source »

Dunster House Music Society presents Kletzsh's "Gesualdo," a short musical play for baritone and violin (performed by the composer) and Bach's "Art of the Fugue," with Margaret Dusenberry (violin), Konrad von und zu Tilleysburg (viola), Aideen Zeitlin (violin), and Peter Belmont (cello). Dunster House Library. 3 p.m. Free...

Author: By Richard Kreindler, | Title: CLASSICAL | 3/10/1977 | See Source »

...Seymour Slive, has moved into an ever-closer association with the teaching process. A permanent gallery operates in cooperation with Fine Arts 13, "Introduction to the History of Art," changing its exhibits weekly to coincide with the course's various themes. Curators of the museum like John Rosenfield and Konrad Oberhuber teach Harvard courses, and the museum hosts a myriad of seminars, employing the extensive reserves of material in its collections. The Fogg's use as an instructional facility is "on a par with Fitzwilliam at Cambridge (England), the Ashmolean at Oxford, and Yale and Princeton's museums," Rosenfield, Curator...

Author: By Diana R. Laing, | Title: Obscured By The Fogg | 3/10/1977 | See Source »

...Fogg's artwork "provides an opportunity for aesthetic experience and...scholarly research," Konrad Oberhuber, Curator of Drawings, said last week. Yet the museum suffers from a chronic lack of space, keeping 90 per cent or more of the collection squirrelled away on storage shelves. While scholars have access to this material, most students never have an opportunity to work with the bulk of the collection. In addition, the museum must at times turn down gifts of art work that might prove valuable to students because of space constraints. Although the number of donations to the museum varies each year, with...

Author: By Diana R. Laing, | Title: Obscured By The Fogg | 3/10/1977 | See Source »

...actors play these parts with such exaggerated gestures that their deeper intents are not even revealed, much less frightening. Antonio Dajer's Baptista is a put upon father who never manages to rule Marre's Kate. Lois Rosenberg treats Bianca's duplicity as a child's game. And Kerry Konrad and Stephen Toope play the suitors, Lucentio and Hortensio, with surface flair but little depth. When one ends up with Bianca and the other with a willful widow, the marriages strike one not as unfortunate mistakes but merely as their just deserts...

Author: By Diane Sherlock, | Title: Pick a Shrew, Any Shrew | 12/6/1976 | See Source »

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