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...plays, and the only one which ends with a death. Chekhov said, "It's a comedy-a great deal of conversation about literature, little action, tons of love." The comedy revolves about various love triangles (Chekhov is the master of the geometry of love) and brisk talk about writing. Konstantin is not the stock young lover-fool. He is richly talented, abundantly sensitive. He cannot come to terms with life only because he has not lived it in any sense except the harmful one of self-created symbols. The act of killing the seagull is romantic and comic; it shows...

Author: By M. CHRIS Rochester, | Title: Chekhov | 5/4/1970 | See Source »

...ordinary Soviet citizen, the U.S. is a country that, as Novelist Konstantin Simonov recently wrote in Pravda, "willy-nilly occupies a vast amount of space in our consciousness." There are only a few ways, however, in which Russians can satisfy their hunger for information about American lifestyles firsthand: examining the few consumer products available in hard-currency shops, attending occasional educational fairs sponsored by the U.S. Information Agency, and thumbing through the cultural exchange magazine Amerika, which is popular despite a limited circulation of 55,000. The vast majority of reports about the U.S. appear in the Soviet Union...

Author: /time Magazine | Title: World: Soviet Portrait of America | 2/23/1970 | See Source »

Caught in the crossfire was a seemingly unlikely target: Konstantin Stanislavsky, the great Russian actor-teacher. Oddly enough, Stanislavsky has come to symbolize the differences between the two Red goliaths. His realistic "Method" training taught actors to reveal the truth of life; the Chinese dismiss this approach as an expression of bourgeois individualism. When a Chinese paper attacked Stanislavsky as a "paper tiger," Moscow's Literaturnaya Gazeta shot back that the Chinese theater had been rendered "lifeless and paralyzed" by the Cultural Revolution. It has come to that...

Author: /time Magazine | Title: World: Tinkering with Delicate Relationships | 1/19/1970 | See Source »

Opening Swipe. Perhaps out of fear of receiving a less than enthusiastic reception in Bucharest, Soviet Party Boss Leonid Brezhnev stayed home. In his place, Moscow sent a delegate of lesser rank: Konstantin Katushev, party secretary in charge of dealing with foreign ruling parties. At 42, Katushev is, nonetheless, a rapidly rising figure in the Kremlin, and he undertook a spirited rebuttal to Ceauşescu the next day. For openers, he took a rather startling swipe at the "perfidious tactics of 'bridge building' to the West." Its only purpose, he said, is "to drive a wedge between...

Author: /time Magazine | Title: Rumania: Debate on Doctrine | 8/15/1969 | See Source »

...falling into the assembly line of Social Realism, Babel fell into one of the noisiest silences in the history of modern Russian literature. Some of the reasons for Babel's failure to fulfill his production quotas are touched on by Ilya Ehrenburg, Lev Nikulin, Georgy Mun-blit and Konstantin Paustovsky, writers and former friends of the author. Their reminiscences compose most of the generous appendix to You Must Know Everything, a collection of newly translated short stories, abrupt prose exercises and journalistic sketches gathered and annotated by Nathalie Babel, the author's daughter and dedicated literary guardian...

Author: /time Magazine | Title: Books: Too Silent for Stalin | 8/1/1969 | See Source »

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