Word: konstantinovna
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Died. Nadezhda Konstantinovna Krupskaya, 70, widow of Nikolai Lenin (real name: Vladimir Ilyich Ulyanov), "Grand Old Woman" of the Russian Revolution; in Moscow. Aristocratic, indomitable little Krupskaya met Lenin, also wellborn, in 1894 while working for the revolution in St. Petersburg, married him few years later when they had both been exiled to Siberia. She took an active part in politics even after her husband's death, was admired by Stalin although she sometimes criticized his policies. Day before she died she celebrated her 70th birthday, received a hearty message from the Party's Central Executive Committee...
Bull Fiddler. Koussevitzky has taken few of life's bumps. One good reason has been Natalya Konstantinovna Koussevitzkaya, his pleasant, portly, beak-nosed Russian wife. Koussevitzky is her career. Once a sculptress, she has not only spent the best part of her life smoothing out her husband's path; she also played an important part in putting him on the path in the first place...
...during his days as a mustachioed virtuoso on the string bass that he met Natalya Konstantinovna. While sawing the thick strings of his groaning instrument at a Moscow concert, he noticed a girl in the front row, gazing at him in maidenly admiration. Koussevitzky's heart jumped, he sawed away more sweetly than ever. After the concert he searched for his admirer, but she had gone. For weeks romantic Koussevitzky was in a lovesick daze. Months later, at another concert, he spied her again in the audience, made his pachydermatous instrument serenade her with mournful and passionate moans. Again...
Like many a successful conductor's wife, Natalya Konstantinovna was a woman of means. Together they financed an orchestra for Koussevitzky to practice on, and gave a series of concerts in Moscow and St. Petersburg. The Koussevitzky Concerts began to catch on with the Russian public. The Koussevitzkys chartered a ferryboat, made a tour of the Volga. By 1910 Koussevitzky was the most widely-known maestro in Tsarist Russia. Meanwhile he had started a publishing house for music by contemporary Slavic composers, published for the first time (thus, incidentally, sparing himself the performance royalties) works by such famed artists...
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