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...KESEY and TOM WOLFE--Wolfe wrote the book (The Electric Kool-Aid Acid Test) about Kesey's organizing the Merry Pranksters, who crossed the U.S. in a bus with him, and threw huge parties in California with LSD in the Kool-Aid. The book is a milestone in acid literature, and probably the only good thing directly about the experience. Kesey has written Sometimes A Great Notion, a book that really flows, since he started taking the drug. And the Merry Pranksters are the ones who put fluorescent paint in psychedelics...

Author: NO WRITER ATTRIBUTED | Title: Who Are the Acid Trippers? | 4/23/1969 | See Source »

...AFRAID of meeting a Kool-Aid Wino...

Author: By Steven W. Stahler, | Title: An Attempt to Clarify What Exactly It Is That Richard Brautigan Says About Trout | 12/17/1968 | See Source »

...Electric Kool-Aid Acid Test, Wolfe...

Author: /time Magazine | Title: Television: Nov. 1, 1968 | 11/1/1968 | See Source »

...Electric Kool-Aid Acid Test, Wolfe...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Oct. 25, 1968 | 10/25/1968 | See Source »

...advertisers who have crossed the color line are now confronted with a new problem: how to portray the Negro. Self-conscious to a fault, integrated commercials never show a Negro as a heavy or in a menial position. Nor are blacks ever afflicted with bad breath or body odor. Kool cigarettes, for example, casts a Negro actor as a bright young trial lawyer; Viceroy casts another as a bright young stockbroker. Schaefer beer has a junior executive type who plays hand ball at the club with a white friend, who throws his arm around his shoulder as they stroll...

Author: /time Magazine | Title: Commercials: Crossing the Color Line | 10/25/1968 | See Source »

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