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Terrible to Terrific. The success of Laughton's readings has revived a critics' wrangle over the quality of his acting. Opinions range, as they always have, from terrible to terrific. One noted Broadway director calls him "100% true-blue ham." But British Cinemogul Sir Alexander Korda insists that Laughton is a genius. "He has a feverish will for being superlatively good, a wonderful sincerity...

Author: /time Magazine | Title: The Theater: The Happy Ham | 3/31/1952 | See Source »

...Zoltan Korda affectionately filmed the picture almost entirely in the real locales: Ixopo, Carisbrooke and Johannesburg. There are expansive shots of rolling green hills, played-out mining areas and savage slums. But the camera, with its realistic eye, can also confine and shackle. Though Cry, the Beloved, Country has much of the novel's passion, it has lost some of the poetry. The lens brings into harsh focus the artifices which trick out the theme yet cast little light on the problems of the dark continent...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 18, 1952 | 2/18/1952 | See Source »

Before leaving on a reporting trip to Indo-China, Writer Graham Greene accepted the invitation of Sir Alexander Korda for a cruise on the Korda yacht Elsewhere around the Greek islands, through the Dardanelles to Istanbul. Among the other glittering guests: Sir Laurence and Lady Olivier, Ballerina Margot Fonteyn...

Author: /time Magazine | Title: People: Movers & Shakers | 10/8/1951 | See Source »

...scrawling naughty words on automobiles in the London working-class suburb of Islington, where he grew up. (His "racing family" refers to his father's occupation as a jockey.) At 14, he got a job sharpening pencils and carrying tea to movie-cartoon animators in Alexander Korda's film company, got his bosses to let him trace some of the smaller details in the thousands of drawings that go to make up a sequence. He taught himself drawing so well that in 1937 Reynolds News gave him a job as a cartoonist. His work caught...

Author: /time Magazine | Title: The Press: Bulls' Eyes for Grandma | 12/11/1950 | See Source »

Last week, sponsored by Sir Alexander Korda, who finances and distributes their product and gives them a cut in the profits, Launder & Gilliat were making the most of their independence. While Launder worked on a film called Beauty Queen (about "the kind of a girl who starts in the News of the World and ends up there, too"), Gilliat was mulling over a movie biography of Gilbert & Sullivan...

Author: /time Magazine | Title: Cinema: Bundle from Britain | 10/9/1950 | See Source »

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