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...studios since 1935 and last week renamed them the Samuel Goldwyn Studio. Producer Goldwyn proposes to make Music School, with Violinist Jascha Heifetz, and The Real Glory, with Gary Cooper. Other U. A. producers and their promises: Charles Chaplin, The Dictators; David Selznick, Rebecca, directed by Alfred Hitchcock; Alexander Korda, five Technicolors, including two with his East Indian Mickey Rooney, Sabu; Walter Wanger, Vincent Sheean's Personal History; Hal Roach, John Steinbeck's Of Mice and Men; Douglas Fairbanks, a biography of Adventuress Lola Montez called The Californian...

Author: /time Magazine | Title: Cinema: Menu | 5/29/1939 | See Source »

Prison Without Bars (United Artists-Alexander Korda). For reasons which are growing increasingly mysterious, French cinema producers seem to have become obsessed with the problem of female institutions. Model for all such pictures was, of course, the German Maedchen in Uniform, but in this the theme, more or less intrinsic to the background, was Lesbianism. French producers have not been obliged to resort to any such spectacular embellishments. Pictures like Club de Femmes, La Maternelle, Forty Little Mothers, Ballerina, make it apparent that French producers are interested in seminaries, kindergartens and sewing circles solely on their own merits, that they...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 27, 1939 | 3/27/1939 | See Source »

Responsible for the simultaneous screen success of Merle Oberon, Binnie Barnes and Wendy Barrie in The Private Life of Henry VIII, Producer Korda now presents his latest protégée: scared-looking, 18-year-old Corinne Luchaire. As an incubator for stars, Prison Without Bars is unlikely to be another Henry VIII, but U.S. cinemaddicts may well want to see more of Mile Luchaire. Most alarming shot: inmates getting drunk on alcohol purloined from the medicine chest...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 27, 1939 | 3/27/1939 | See Source »

...standard of "Lives of a Bengal Lancer" but good entertainment nevertheless, Alexander Korda's new movie, "Drums," at Keith Memorial this week, shows how far excellent color and exciting surroundings will go to make up a satisfactory melodrama. There is nothing but action and suspense throughout, and Sabu the Hindu boy fits excellently into the life of a Himalayan tribe, yet the plot as a whole runs in too much of a groove to make the picture topnotch. Raymond Massey sneers well as the fanatic tribesman, and Desmond Tester is a very good cockney drummer...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/26/1938 | See Source »

...British company, is also the British cinema industry's first major investigation of a subject which has often interested Hollywood: empire building in the north of India. Largely made on location near Chitral, Drums contains some of the most dazzling sequences ever recorded in Technicolor, but Director Zoltan Korda-wiser than many of his U. S. colleagues when confronted with this medium for the first time-refused to let it get out of hand. Consequently, his picture marches with considerably more vigor than anything his brother Alexander Korda's London Film Productions has made since The Private Life...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 19, 1938 | 9/19/1938 | See Source »

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