Word: korda
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Unreported at week's end was the production schedule of United Artists Corporation, owned by retired Stars Douglas Fairbanks, Mary Pickford, Charles Chaplin and Producers Samuel Goldwyn and Alexander Korda. A private corporation, United Artists keeps its business largely to itself, occasionally gloats in the trade press over large but unrevealed profits. Month ago the five owners met, split a modest melon...
...Return of the Scarlet Pimpernel (Alexander Korda). To save a remaining few aristocratic necks from Robespierre's guillotine, Producer Korda rounds up Sir Percy Blakeney's old crowd of counter-revolutionists, sends them out after Robespierre's own head. Famous Scarlet Pimpernel was well-schooled Actor Leslie Howard. The new one is Actor Barry Barnes, who is very British, often squeaky, and leads the cast in overacting...
...cinemaudiences, Gaumont British and Alexander Korda's London Film have been Britain's sprucest salesmen. Last week Gaumont British and Alexander Korda, proving that the British cinema industry is not entirely dormant, had two films apiece ready to join the U. S. Easter cinema parade. Of the four, the two less pretentious cost $450,000 each, represented the good homespun handiwork of which the British industry is capable when it is not making quota quickies or trying to imitate Hollywood's grand manner. The others were, important because they 1) cost about $1,000,000 each...
Storm in a Teacup (Alexander Korda) is the tidiest, canniest, best-played bit of heather comedy to come from across the sea since René Clair made The Ghost Goes West. Provost Gow of Baikie (Cecil Parker), treading pompously toward Parliament, stumbled over Mrs. Honoria Hegarty's (Sara Allgood's) dog. Patsy, and her without the money to buy him a license at all. With the twists given this incident by a bright young journalist (Rex Harrison), Patsy's grief is heard all the way to London, and the resulting sympathy nearly forces Provost Gow into...
...Divorce of Lady X (Alexander Korda). A neat pick-me-up for jaded grownups. Producer Korda's first try in Technicolor is a saucy farce with three attractive attributes: 1) provocative Eurasian-looking Merle Oberon cutting the comic corners with all her curves and fast ones; 2) a top-flight British cast; 3) Technicolor. Aside from that used in animated cartoons, most Technicolor is a prettifying process that sets great store on being called "unobtrusive." Lady X's Technicolor is consciously as obtrusive as possible, jumped on production cost to $1,2000,000. When the scene opens...