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...light in Japan respects poets." It's easy to see his point with the Hyakunin Isshu. Moonlight, dawn light and fog-filtered daylight suffuse this anthology, illuminating scenes of delicate natural beauty. As McMillan notes in his introduction, the great Tokugawa-era painters Hon'ami Koetsu and Ogata Korin were but a few of the visual artists drawn to the poems. The latter illustrated one of the earliest and most famous karuta sets, as the major ukiyo-e (Floating World) artists - famed for their depictions of metropolitan life in Edo Japan - would later...

Author: /time Magazine | Title: The Timeless 100 | 4/24/2008 | See Source »

...images of Westerners relaxing in Yokohama, the port city that became the focus of Japanese contact with the West. Monet had several of Hiroshige's scenes from the classic Japanese novel The Tale of Genji, plus the lively, almost offhand sketches of animals and ordinary folk by Ogata Korin...

Author: /time Magazine | Title: Monet's Love Affair with Japanese Art | 1/4/2007 | See Source »

...Monday morning before school starts, Korin Littlejohn, a fourth-grader, sits at a table in the cafeteria with her friends...

Author: By Andrew S. Holbrook, CRIMSON STAFF WRITER | Title: Merged | 9/27/2000 | See Source »

...that the Edo period lacked individual artists who were seen, then and now, as stars. Its core achievement, in painting, was the allusive and delicate work of the so-called Rimpa artists: Tawaraya Sotatsu and Hon'ami Koetsu in the 17th century, and later the brothers Ogata Korin and Ogata Kenzan, Sakai Hoitsu and others. The show abounds in their work, especially the large folding screens that were Japan's closest equivalent to Western murals. Hoitsu (1761-1828) is represented by one of his finest screens, Flowers and Grasses of Summer and Autumn, in which you can almost feel...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

Skill, once demonstrated, could be elegantly volatilized. Edo taste valued the unfinished, the rough. One of the masters of the pictorial throwaway line was Ogata Kenzan, best known as a potter. He and his more famous brother Ogata Korin--whose paintings mark the apotheosis of lyrical, erudite Edo painting--left an indelible mark on Edo style. Nothing could seem more offhand than Kenzan's scroll The Eight-Fold Bridge, an illustration of a poem with the poem itself written into it--the planks of the bridge brusquely indicated, the calligraphy mingling with the broadly brushed leaves of water iris...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

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