Word: korin
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Dates: during 1990-1999
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...that the Edo period lacked individual artists who were seen, then and now, as stars. Its core achievement, in painting, was the allusive and delicate work of the so-called Rimpa artists: Tawaraya Sotatsu and Hon'ami Koetsu in the 17th century, and later the brothers Ogata Korin and Ogata Kenzan, Sakai Hoitsu and others. The show abounds in their work, especially the large folding screens that were Japan's closest equivalent to Western murals. Hoitsu (1761-1828) is represented by one of his finest screens, Flowers and Grasses of Summer and Autumn, in which you can almost feel...
Skill, once demonstrated, could be elegantly volatilized. Edo taste valued the unfinished, the rough. One of the masters of the pictorial throwaway line was Ogata Kenzan, best known as a potter. He and his more famous brother Ogata Korin--whose paintings mark the apotheosis of lyrical, erudite Edo painting--left an indelible mark on Edo style. Nothing could seem more offhand than Kenzan's scroll The Eight-Fold Bridge, an illustration of a poem with the poem itself written into it--the planks of the bridge brusquely indicated, the calligraphy mingling with the broadly brushed leaves of water iris...