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Wrestling in his first intercollegiate match, Frank Baker lost a 1 to 0 decision to Bob Koster at 147. Lou Miller of Williams pinned Bob Little at 5:30 of the second period in the 157 pound class...

Author: NO WRITER ATTRIBUTED | Title: Wrestlers Pin 2; Win Opener, 26-8 | 12/14/1953 | See Source »

...While the CinemaScope process does not create a sense of depth so great as in stercoscopic films, one does feel the solidity of both actors and sets. The curving screen, however, two-and-a-half times as wide as it is tall, presents unique problems of composition. Director Henry Koster carefully avoids small grouping of actors, but when close-ups are necessary, vast expanses of background distract to the right and left...

Author: By A. M. Sutton, | Title: The Robe | 10/16/1953 | See Source »

...Koster in one instance obviates this difficulty by placing one character in front of a gnarled tree whose splayed branches conveniently fill the excess space. Success by gimmick can only occasionally be used, otherwise it becomes obvious and annoying. This consideration would seem to proscribe the use of CinemaScope for the filming of epics. The Robe, with its Biblical sweep, is easily adopted to the requirements of the large screen. It is doubtful, though, that this medium could be used successfully with intimate boudoir comedy...

Author: By A. M. Sutton, | Title: The Robe | 10/16/1953 | See Source »

Director Henry Koster and Scriptwriter Philip Dunne have made a real effort to avoid the pitfalls of Biblical movies by balancing the saintly preaching of Dean Jagger (as Justus) and Michael Rennie (as Peter) with the muscular Christianity of Burton and Mature. There is a minimum of the sex and sadism that usually characterize Hollywood's explorations of Holy Writ. The CinemaScope screen is handsomely utilized for swordplay, torture chambers and a thundering chase sequence as well as for dramatic shots of the Way of the Cross and Christ's entrance into Jerusalem the week before the Crucifixion...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 28, 1953 | 9/28/1953 | See Source »

...Highway in the Sky (20th Century-Fox) puts James Stewart into the familiar role of a lovably naive eccentric who wages a one-man rebellion against bull-headed officialdom. Director Henry Koster freshens this foolproof formula with suspense and humor, casts Marlene Dietrich in no less foolproof a role as a glamorous movie queen, and surrounds his stars with a talented cast recruited in Britain, where the movie was filmed from a novel by Nevil Shute...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 8, 1951 | 10/8/1951 | See Source »

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