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Word: kowalskis (lookup in dictionary) (lookup stats)
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Christopher Ellis and Verna Harvey, however, are radiant and accomplished as the children, and Brando, 20 years on from Stanley Kowalski, still has the presence to make bullying cruelty captivating...

Author: /time Magazine | Title: Cinema: The Tarn and the Screw | 3/13/1972 | See Source »

...STREETCAR has a larger scope than that of a character study. Blanche's ultimate tumble into psychosis is Williams' way of shedding a tear for the modern world, for her fall is caused by Stanley Kowalski, her brutish, sensual brother-in-law, and it is the Stanleys, Williams believes, who are taking over the world and leading it on a "dark march" toward atavism...

Author: By William W. Clinkenbeard, | Title: A Streetcar Named Desire | 2/19/1972 | See Source »

...carbine in his hands. While other workers cringed, James Johnson Jr., 35, killed Foreman Hugh Jones with one shot, then pumped four more bullets into his victim's body. When another foreman tried to disarm him, Johnson killed him too. Then Johnson went after a worker, Joseph Kowalski, whose job was a particularly good one, and murdered him. Finally persuaded to surrender, Johnson threw his rifle against a wall and quietly waited for the police...

Author: /time Magazine | Title: The Law: Hell in the Factory | 6/7/1971 | See Source »

...rococo and frequently incoherent gangster yarn extracted like a rotten tooth from an old Harold Robbins novel. Stiletto seems to have been written only to take a share of the profits made by such stylish thrillers as Point Blank and Bullitt. And it quickly becomes obvious that Director Bernard Kowalski (who also made Krakatoa, East of Java) is not up to that sort of competition. Judged on sheer acting talent, however, Wiseman and O'Neal are equal to almost anything...

Author: /time Magazine | Title: Cinema: Rotten Tooth | 8/1/1969 | See Source »

...reasonings. The emotional proposition at the core of The Glass Menagerie, A Streetcar Named Desire and Cat on a Hot Tin Roof is undeviating: life is an undeclared war. As Williams has dramatized it, that war is conducted on two fronts. The lacerating confrontations between Blanche DuBois and Stanley Kowalski, between Big Daddy and his son Brick and Maggie the Cat, are blistering barrages of domestic car nage. They are also metaphors for a more profound and transcendent struggle, the war against the gods, the irrational, immutable duel with destiny, disaster and death - all that is meant when one speaks...

Author: /time Magazine | Title: New Plays: Torpid Tennessee | 5/23/1969 | See Source »

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